BROWNING, R.: _Abt Vogler_, 50*; _Agamemnon_, 327 f.*; blank verse of, 247-249; _Caliban upon Setebos_, 31 f.*, 57*, 145 f.*; _Cavalier Tunes_, 40*; _Epistle of Karshish_, 248*; _Fifine at the Fair_, 257 f.*; _Flight of the Duchess_, 129*; _Fra Lippo Lippi_, 249*; _Guardian Angel_, 95*; _Heretic's Tragedy_, 145*; _In a Balcony_, 248*; _Love among the Ruins_, 90*; _Misconceptions_, 37*; _One Word More_, 41*; _Pacchiarotto_, 128 f.*; _Paracelsus_, 8*, 59*, 145*; _Prospice_, 29*, 50*; _Ring and the Book_, 57*, 59*, 247*; _Saul_, 42*; sonnets of, 286, 287; _Sordello_, 211*; _Statue and the Bust_, 67*; _Why I am a Liberal_, 287*. BÜCHER, K.: _Labor and Rhythm_, 436 n. BURNS: _Auld Lang Syne_, 21*; _Birks of Aberfeldy_, 78*; _Bonnie Doon_, 70*; _Chevalier's Lament_, 39*; _Cotter's Saturday Night_, 104*; _Duncan Gray_, 79*; _Tam O'Shanter_, 171*; _To a Louse_, 87*. BUTCHER, S. H., on Aristotle's view of metre, 413-416. BUTLER: _Hudibras_, 137*, 167*. BYRON: _Childe Harold_, 105*; _Destruction of Sennacherib_, 39*; _Don Juan_, 100*, 128*; double rimes of, 128, 129; _English Bards and Scotch Reviewers_, 206*; _Farewell, if ever_, 97*; _Francesca of Rimini_, 68*; _Prisoner of Chillon_, 171*; _She Walks in Beauty_, 92*; _Song of Saul_, 40*; _Stanzas for Music_, 44*; use of _ottava rima_, 101. CAMPION, T.: _Anacreontics_, 27*; _Iambic Dimeter_, 334 f.*; _Observations in the Art of English Poesie_, 335 f.; _Trochaic Dimeter_, 335*. CANNING: _Rovers_, 131*. CANNING (and FRERE): _Sapphics_, 337*. _Canzone_, influence of, on the sonnet, 267. CAREW: _In Praise of his Mistress_, 89*. CAREY, P.: _Triolet_, 382 f.*. Catalexis, 22, 25; in the ode, 319. CATULLUS, metres of, imitated, 339. Caudated sonnet, 276. Celtic verse, alliteration in, 117; assonance in, 115; rime in, 124. Cesura, 17-19; in alexandrine, 253, 258; kinds of, 19. _Chant Royal_, 367 f. CHAPMAN: _All Fools_, 215*; _Hymn to Cynthia_, 343*; _Iliad_, 262*. CHATTERTON: _Ælla_, 79*, 107 f.*; his variant of Spenserian stanza, 108.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account