DRYDEN: _Absalom and Achitophel_, 56f.*, 193f.*; _Alexander's Feast_, 310; _All for Love_, 196, 234*; _Annus Mirabilis_, 72*; blank verse of, 234f.; _Conquest of Granada_, 196; _Evening's Love_, 40*; heroic couplet of, 194f.; his introduction of rimed dramatic verse, 196-199; _Indian Queen_, 196; _Marriage à la Mode_, 195f.*, 234*; _Ode for St. Cecilia's Day_, imitated by Young, 88; _Ode on Mistress Killigrew_, 309f.*; odes of, 310; on heroic stanza, 72; on verse of Denham and Waller, 188; on verse of Donne, 183; _Song for St. Cecilia's Day_, 52f.*, 142*. DU BARTAS: _La Première Semaine_, 18*. DUNBAR: _Lament for the Makaris_, 78*; rime royal of, 94; _Tua Mariit Wemen_, 119f.*. EDWARDS, T., sonnets of, 277. Elegiacs (hexameter and pentameter), 346, 355f. _Eleven Pains of Hell_, 161. ELIOT, GEORGE: _Spanish Gypsy_, 28*, 37*, 114*. Elision, 59f. ELLIS, A. J., on degrees of accent, 3, 4n. ELLIS, R.: _Attis_, 339*; _Hymenæus of Catullus_, 339*; on classical metres, 339. "End-stopped" lines, 19, 187-190. _Enjambement_, 19: avoidance of in heroic verse, 187, 202; in Chaucer, 177; in couplets of the romantic poets, 208-212; in Milton, 233; in Shakspere's verse, 223. ETHEREDGE: _Comical Revenge_, 196. _Fair Helen_ (ballad), 9*, 79*. _Farmer's Complaint_, 14. Feet, as measures of verse, 24; combinations and substitutions of, 49; names of, 24, 55f., 408f. Feminine ending, 25, 33; in Elizabethan blank verse, 226-228. Feminine rime, 121, 128f. FITZGERALD: _Rubáiyát_, 77*. Five-stress verse, 174-251; early examples of, 175; introduced by Chaucer, 177. FLETCHER, G.: _Lycia_, 273. FLETCHER, J., blank verse of, 226-228; couplets of, 210; _Faithful Shepherdess_, 184f.*; _Valentinian_, 225*. FLETCHER, J. (and SHAKSPERE): _Two Noble Kinsmen_, 85*. FLETCHER, J. B., on Spenser, 17. FLETCHER, P.: _Piscatory Eclogues_, 107*. Foot, significance of the term, 24, 393-395, 406-408. _Fortunae rota volvitur_, 259*. Four-stress verse, 151-173. French alexandrine, relation to English, 252f. French influence, on stanza forms, 63, 82f., 110. French lyrical forms, imitation of, 358-385. French verse, decasyllabic, 177f.; influence on heroic couplet, 187, 190; perfect rime in, 121 n.; regular cesura in, 17, 18; influence on octosyllabic couplet, 154, 160f., 163 n. French words, accent of, 11. FRERE, J. H.: _Monks and the Giants_, 100*. FROISSART, 358. Galliambic verse, 339. _Gammer Gurton's Needle_, 133*, 157*.
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