OTFRIED, verse of, 123, 124. _Ottava rima,_ 98-101; possible source of sonnet, 267. OTWAY: _Venice Preserved_, 235*. _Owl and the Nightingale_, 162*. Pantoum, 385-388. PARIS, G., on Machault, 178. PARNELL: _Night-Piece on Death_, 168*. PASSERAT, J.: _Villanelle_, 377*. _Passion of our Lord_, 254. _Pater Noster_, 161*. _Patience_, 155*. PATMORE: _Amelia_, 319 n.*; _Ode_, 318*; on the ode, 319; _Unknown Eros_, 319. Pauses, 16-23; varied to preserve metrical time, 404 f. PAYNE, J., virelai of, 385. PEACOCK, T. L.: _Misfortunes of Elphin_, 33*. _Pearl, The,_ 109*. PECK, S. M.: _Under the Rose_, 382*. PEELE: _Arraignment of Paris_, 218*. PETRARCA: _Sonnet_, 271*. Phalæcian verse, 331, 338. PHILIPS, J.: _Cider_, 238. PHILLIPS, S.: _Marpessa_, 251; _Paolo and Francesca_, 250 f.*. _Phœnix_, 153*. Pindaric ode, 298, 299-307. Pitch-accent, so-called, 5 f. PITT, W., 131 n. POE: _Lenore_, 134*; on English hexameter, 349; _Rationale of Verse_, 392; _Raven_, 47*. _Poema Morale_, 127*, 260. POPE, A.: _Essay on Criticism_, 12*, 57*, 142*, 199 f.*; _Iliad_, 200 f.*; on verse of Denham and Waller, 188; on verse of Dryden, 194; rules of verse, 201 f.; _Solitude_, 27*. Poulter's Measure, 255, 265 f. Pre-Raphaelites, 10. _Preservation of King Henry VII_., 343. PRIOR: _Better Answer_, 39*. Provençal, lyrical forms of, 358, 383. PUTTENHAM, G.: _Arte of English Poesie_ cited, 8 n., 18, 94 n., 334 n. Pyrrhic, 49, 55, 56. Quantity in English, 391-406; in English verse, 330, 332 f., 338, 354 f., 356, 357. Quatrains, 69-77. _Quinque Gaudia_, 85*. RALEIGH, W.: _Pilgrim to Pilgrim_, 35*. RANCHIN: _Triolet_, 381*. READ, T. B.: _Drifting_, 88*. Refrain stanzas, 78-90. _Regulae de Rhythmis_, 81*. Rhythm, arts of, 413 f.; change of, 53-55, 61. _Rhythmus_, meaning of, 124. RICH, B.: _Don Simonides_, 219. RIEGER, on rime in Anglo-Saxon, 126 n. Rime, 113, 121-135; as organizer of stanza, 63; broken, 131 f.; defended by Daniel, 336 n.; feminine, 121, 128 f.; functions of, 122; imperfect, 122 n.; in Butler's _Hudibras_, 167 f.; in drama, 196-199; internal, 132-135 (in ballads, 70; in Middle English alexandrines, 255; in septenary, 259-261); objections to, 122 f.; origin of, 123-125; suspected by classicists, 214, 232, 330; triple, 121, 128-131. _Rime couée_, 80-86; in French, 81; in Latin, 80 f. Rime royal, 93 f.; in Chaucer's _Balade_, 361.
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