England -- Antiquities; England -- Social life and customs; Villages -- England
We owe the application of brass to memorial tablets to the artists of
Flanders, and the date of their introduction is about the middle of the
thirteenth century. The execution of almost all of our English brasses
is due to native artists. Foreign brasses are usually of great size,
and consist of a quadrangular sheet of metal, on which is engraved
the figure, usually under a canopy, the background being ornamented
with rich diaper, foliage, or scrollwork, and the incisions filled
with colouring. Several brasses in England conform to this style of
workmanship, and are evidently the production of foreign artists. The
English brasses, on the contrary, consist of separate pieces, with an
irregular outline, corresponding with that of the figure. They have no
brass background; and for delicacy of engraving and general appearance
the English brasses are by far the best.
The names of the makers of brasses have been almost entirely lost. Two
only bear marks which are supposed to be those of the engraver. No other
country can boast of so large a number of these memorials as England, in
spite of the hard usage they have received and their wanton destruction.
About four thousand remain; and constantly we find the matrices cut in
stone slabs, from which brasses have been torn; so that we may assume
that quite as many have been destroyed as those which survive. The
southern and eastern counties are most richly furnished with these
monuments, whereas the western and northern counties have but few
brasses. Norfolk, Suffolk, Essex, and Kent are the most rich in this
respect. The earliest brass of which we have any record is that of
Simon de Beauchamp, who died before 1208. This is mentioned by Leland.
The earliest brass now in existence is that of Sir John D'Aubernown at
Stoke Dabernon, Surrey, which was fashioned in 1277. In the fourteenth
century a very large number of brasses, remarkable for their beauty of
form and execution, were made. The artistic workmanship began to decline
in the fifteenth century, and in the following became utterly degenerate.
Public-domain text, read in full here on John Shaqi.
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