Very shortly afterwards the great rural festival of our forefathers took place, the glad May Day, when, in the early dawn, the lads and lassies left their towns and villages, and going into the woods to the sound of music, gathered the may or blossomed branches of the tree, and bound them with wreaths of flowers. At sunrise they returned, and decorated the lattices and doors with the sweet-smelling spoil of their joyous journey, and spent the rest of the day in sports and pastimes, and dancing round the Maypole. The setting-up of the May-pole was a very joyous ceremony. A long string of oxen, gaily decked with flowers, drew to the village green the time-honoured pole, decked with streamers, flowers, and flags, where it was raised amidst laughter and shouts; and the Queen of the May was enthroned in an arbour and all danced round; and the morris-dancers, Robin Hood, Friar Tuck, and Maid Marian performed wonderful antics as they led the revels. Targets were set up at the other end of the green, and archery formed an important part of the day's pleasures. The preachers at the time of the Reformation thought the people made an idol of the Maypole, and condemned the innocent amusements, which were revived again when Charles II. came to the throne. After May Day our villagers had not long to wait until the Whitsuntide holiday came round-- "A day of jubilee, An ancient holiday; When, lo! the rural revels are begun, And gaily echoing to the laughing sky, On the smooth-shaven green, Resounds the voice of mirth." I have already given a description of these Whitsuntide rejoicings in a preceding chapter. Then there were the miracle plays, or "mysteries," as they were called, in June, on Corpus Christi Day, which were performed before the Reformation, principally in the neighbourhood of large monasteries; Coventry, Chester, London, York being specially renowned for these performances. The subjects were taken from Holy Scripture, or from the lives of saints, and were intended to teach the people religious knowledge, but the scenes were disfigured by many absurdities and grotesque perversions. Their history is a curious one, too long to enter upon in this chapter; but often in the open fields, at the bottom of natural amphitheatres, were these plays performed, very similar in construction to the famous passion play performed by the peasants, at Ober Ammergau, in Bavaria, the last surviving specimen of the ancient religious drama.