English Wayfaring Life in the Middle Ages (XIVth Century)Jusserand, J. J. (Jean Jules)
History
English Wayfaring Life in the Middle Ages (XIVth Century)
Jusserand, J. J. (Jean Jules)
Christian pilgrims and pilgrimages -- England; England -- Social life and customs -- 1066-1485; Travel, Medieval
Another attempt to make a chapel popular had been tried in the
parochial church of Foston; but the Archbishop of York, William
Grenefeld, was scandalized, and by a letter full of good sense put
an end to the “great concourse of simple people who came to visit a
certain image of the Holy Virgin recently placed in the church, as
if this image had something more divine than any other images of the
sort.”[476]
The fact was, as may be noticed even in our days, that, with or
without the co-operation of the clergy, some statues had a far better
reputation than others; wonders were expected of them, and they were
worshipped accordingly; the same vicissitudes were observable for
images as for relics and tombs of saints. This statue had healed sick
people without number, and that one was known to have moved, to have
made a sign, to have spoken a word. Pictures of miracles worked by
statues constantly recur in manuscripts; one, for instance, is to
be found in several English books of the fourteenth century.[477]
It shows how a poor painter, being busy colouring and gilding {346}
a statue of the Virgin, with a most ugly devil under her feet, the
Evil One, angry at such an unflattering portrait, came and broke the
ladder on which the artist was standing; but as he was falling and
about to be killed, the stone Virgin bent towards him, and extending
her arm held him safe until help came.
Statues did not always act so graciously, but were guided by
circumstances, as was seen in the church of St. Paul-extra-muros at
Rome. A visitor, according to the relation of the learned Thomas
Gascoigne, chancellor of Oxford, had insulted the image of the saint,
saying: “‘Why hast thou got a sword, I mean to have thy sword,’ and
he was trying to take it out of the hands of the statue. But through
God’s doing, the statue raised its sword on the impious man, and
clove his head to the chin; and then death followed. This happened at
the time when Eugene IV was Pope of Rome, and a witness of the scene
reported it to me; this witness was a beadel of the said Pope, called
Master Erasmus Fullar, a priest of the kingdom of Hungary.”[478]
II
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