Between these luxurious carriages and the peasants’ carts there was nothing analogous to the multitude of middle-class conveyances to which we are now accustomed; the middle class itself being as yet but imperfectly developed. True, there were some not so expensive as {100} those belonging to the princesses of Edward’s Court, but not many. Every one at this time knew how to ride on horseback, and it was much more practical to use one’s mount than the heavy vehicles of the period. One went much faster, and was more certain to arrive. “The Paston Letters” show that matters had changed little in the fifteenth century. John Paston being ill in London, his wife wrote asking him to return as soon as he could bear the horse-ride; the idea of returning in a carriage did not even occur to them. Yet it was a serious case, “a grete dysese.” [Illustration 19. A YOUNG SQUIRE (CHAUCER’S SQUIRE) TRAVELLING ON HORSEBACK. (_From the Ellesmere MS._)] Margaret Paston writes on September 28, 1443, “If I might have had my will, I should have seen you ere this time; I would ye were at home, if it were your ease, and your sore might be as well looked to here as it is where {103} ye be, now liefer than a gown though it were of scarlet. I pray you if your sore be whole, and so that ye may endure to ride, when my father comes to London, that ye will ask leave, and come home, when the horse shall be sent home again, for I hope ye should be kept as tenderly here as ye be at London.”[94] [Illustration 20. TRAVELLING IN A HORSE LITTER. (_From the MS. 118 Français, in the Bibliothèque Nationale, late Fourteenth Century._)] Women were accustomed to riding almost as much as men, and when they had to travel they usually did it on horseback. A peculiarity of their horsemanship, which we have seen of late becoming again the fashion after a lapse of five centuries, was that they habitually rode astride. The custom of riding sideways did not spread in England before the latter part of the fourteenth century, and even then it was not general. In the invaluable manuscript of the Decretals in the British Museum,[95] ladies on horseback are constantly represented, always riding astride. At one place[96] horses are shown being brought for a knight and a lady; both saddles are exactly the same; each have tall backs, so as to form a sort of comfortable chair. The numerous ivories of the fourteenth century in the Victoria and Albert Museum and in the British Museum often represent a lady and her lover, both on horseback, and hawking. In almost all cases the lady unmistakably rides astride. Both ways of riding are shown in the fifteenth-century illuminations in the Ellesmere manuscript of Chaucer’s “Canterbury Tales.” The wife of Bath rides astride, with large spurs; the prioress sits sideways. II