Engraving: Its Origin, Processes, and HistoryDelaborde, Henri, comte
History
Engraving: Its Origin, Processes, and History
Delaborde, Henri, comte
Engravers -- Great Britain; Engraving -- Great Britain; Engraving -- History
It is, however, from the pre-eminent excellence of the line engravings
of Strange, Woollett, and Sharp that the right of England to a place
in the hierarchy of the art has been conceded by other nations. Sir
Robert Strange, descended from an ancient Scottish family, was born at
Orkney in 1721, and served an apprenticeship of six years to Richard
Cooper of Edinburgh. In this city Strange started as an engraver on his
own account; when the civil war broke out he joined the side of the
Pretender, engraved a half-length portrait of him, and was appointed
engraver to this prince; after the battle of Culloden, in which he is
said to have taken part, Strange escaped to Paris, and had there the
advantage of studying under Le Bas. In 1751 he returned to England,
and established himself in London, where his talents were readily
recognised and appreciated. On the accession of George III., Strange
refused the commission to engrave whole-length portraits of the king
and his Prime Minister, Lord Bute, thereby giving great offence, which,
together with the remembrance of his former adventures, made Strange
think it prudent to leave the country for a time; therefore, to turn
to good account even such untoward circumstances, he determined to
increase the knowledge of his art by travelling through the continent.
In Italy he produced some of his finest engravings after Titian,
Raphael, Correggio, Domenichino, Guido, and Van Dyck; his talent
was everywhere acknowledged; he was elected member of the Academies
of Rome, Florence, Bologna, Parma, and Paris; and, on his return to
London, by his engraving after West of the apotheosis of the king's
three children, who had died in infancy, he regained the royal favour
and received the distinction of knighthood. Sir Robert Strange was a
member of the Incorporated Society of Artists, but was very hostile
to the Royal Academy, deeply and justly resenting their exclusion of
engravers from full membership. During the later part of his life he
lived in Great Queen Street, Lincoln's Inn Fields, where he died in
1792. He was buried in St. Paul's Churchyard, Covent Garden.
Public-domain text, read in full here on John Shaqi.
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