[60] A painter more generally known as Langen Jan, born at Munster in 1610, the correct name being John or Johann van Bockhorst; the name, however, appears as above in the engraving. [61] On the foundation of the Royal Academy in 1768, Bartolozzi, to the exclusion of Strange and Woollett, was admitted one of the first forty members with full membership; all engravers afterwards up to the year 1855 could only be elected as associate members. [62] This engraver was in no way related to the better-known stipple and historical engraver of the same name who flourished in the present century. [63] Woollett was buried in Old St. Pancras Churchyard; on a plain tombstone which marks the spot were found one day written in pencil the two lines-- "Here Woollett rests, expecting to be sav'd, He graved well, but is not well engrav'd." Shortly afterwards a subscription was raised, to which Benjamin West and John Boydell contributed, for the purpose of erecting the above-mentioned tablet which now stands in the West Cloister. [64] Opie painted a life-size head of S. W. Reynolds, and of his daughter Elizabeth as "Red Riding Hood" (exhibited at the winter exhibition of the Royal Academy, 1876); this portrait of herself Elizabeth engraved in mezzotint at the age of fourteen. [65] Father of the late E. W. Cooke, R.A. [66] Walker engraved the portrait of Raeburn with the special purpose of proving the contrary. [67] John Lucas, the well-known portrait painter and also engraver in mezzotint, was likewise a pupil of Reynolds. [68] The plate of Salisbury Cathedral was engraved at Constable's expense and published in 1837 by Messrs. Hodgson, Graves and Co., for the painter. After his sudden death in the same year it was sold at Foster's, Pall Mall, in 1838, and bought in for eighty guineas, hardly the price of two proofs at the present time. Through the kindness of Mr. Algernon Graves, the writer has had access to many manuscript notes written by David Lucas. [69] Brother of Samuel Cousins, R.A. [70] Better known in France, where he settled in 1816, he died in the neighbourhood of Paris in 1843, and introduced there the mode of cutting on the end of the grain instead of with the grain as was before the practice. [71] First introduced in 1840, although not in general practice until some years later. [72] On the principle of that which is known as "engine turning," as seen on the back of watch-cases. [73] It is also necessary to point out that no impression damaged from course of time or printed from a worn-out plate can give any idea of the original engraving as a work of art. Other things being equal, proofs are primâ facie likely to be the best impressions, but a good print (that is a later impression), if in good condition, is far more valuable than a damaged or rubbed proof, however early the state may be. INDEX. PAGE Agesilaus, King of Sparta, 8 Agostino, Veniziano, 106