Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
We have singled out this volume for special notice, not because of any
intrinsic title it possesses to serious attention, but because it is
typical of a species of literature which is rapidly becoming one of the
pests of our time. While every encouragement should be given to sober,
judicious, and competent reviews of our older writers, every
discouragement should be given, out of respect to the dead, as well as
in the interests of the living, to such books as the present. For they
are as mischievous as they are ridiculous. They misinform; they mislead;
they corrupt, or tend to corrupt, taste. After laying down a volume like
this we feel, and we expect Dunbar would have felt, that there is
something much more formidable than the old horror, “the candid friend,”
even that indicated by Tacitus--_pessimum inimicorum genus--laudantes_.
A GALLOP THROUGH ENGLISH LITERATURE[25]
[Footnote 25: _A Literary History of the English People from the Origins
to the Renaissance._ By J. J. Jusserand.]
There is a breeziness and hilarity, a gay irresponsibility and abandon,
about M. Jusserand which is perfectly delightful. He is the very
Autolycus of History and Criticism. What more sober students, who have
some conscience to trouble them, are “toiling all their lives to find”
appears to be his as a sort of natural right. The fertility of his
genius is such, that it seems to blossom spontaneously into erudition.
Like the lilies he toils not, but unlike the lilies he spins, and very
pretty gossamer too. It is impossible to take him seriously.
The truth is that M. Jusserand belongs to a class of writers which,
thanks to indulgent publishers, a more indulgent public, and most
indulgent reviewers, is just now greatly in the ascendant.
“Encyclopædical heads,” who took all knowledge for their province,
probably died with Bacon, but encyclopædical heads who take all
Literature or all History for their province appear to be as common as
the “excellence” which, in opposition to Matthew Arnold’s opinion, the
American lady maintained was so abundant on both sides of the Atlantic.
These are the gentlemen who complacently sit down “to edit the
Literatures of the world,” or “to trace the development of the human
race, from its picturesque cradle in the valleys of Central Asia, to its
infinite ramifications in our own day”--within “the moderate compass of
an octavo volume.”
Public-domain text, read in full here on John Shaqi.
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