Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
It is a pleasure to turn from the slovenly and perfunctory work, from
the plausible charlatanry and pretentious incompetence which it has so
often been our unwelcome duty to expose in these columns, to such a
volume as the volume before us. It is books like these which retrieve
the honour of English scholarship. A wide range of general knowledge,
immense special knowledge, scrupulous accuracy, both in the
investigation and presentation of facts, the sound judgment, the tact,
the insight which in labyrinths of chaotic traditions and conflicting
testimony can discern the clue to probability and truth--these are the
qualifications indispensable to a successful biographer of Shakespeare.
And these are the qualifications which Mr. Lee possesses, in larger
measure than have been possessed by any one who has essayed the task
which he has here undertaken. A ranker and more tangled jungle than that
presented by the traditions, the apocrypha, the theories, the
conjectures which have gradually accumulated round the memory of
Shakespeare since the time of Rowe, could scarcely be conceived. In this
jungle some, like Charles Knight, have altogether lost themselves;
others, like Joseph Hunter, have struck out vigorously into wrong
tracks, and floundered into quagmires. Halliwell Phillipps, sure-footed
and wary though he was, certainly had not the clue to it. But Mr. Lee,
who can plainly say with Comus,--
“I know each lane, and every alley green,
Dingle or bushy dell of this wild wood,
And every bosky bourne from side to side,
My daily walks and ancient neighbourhood,”
has thridded it, and taught others to thrid it, as no one else has done.
And he will have his reward. He has produced what deserves to be, and
what will probably become, the standard life of our great national poet.
Mr. Lee’s book is substantially a reproduction of his article on
Shakespeare, contributed to the _Dictionary of National Biography_, the
high merits of which have long been recognised by scholars; and he has
certainly done well to make that article popularly accessible by
reprinting it in a separate form. But the present volume is not a mere
reproduction of his contribution to the Dictionary; it is much more. He
has here filled out what he could there sketch only in outline; what he
could there state only as results and conclusions, he here illustrates
and justifies by corroboration and proof. He has, moreover, both in the
text and in the appendices, brought together a great mass of interesting
and pertinent collateral matter which the scope of the Dictionary
necessarily precluded.
Public-domain text, read in full here on John Shaqi.
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