Mr. Lee’s most remarkable contribution to speculative Shakespearian criticism, in which, we are glad to say, he does not often indulge, is his contention that the W. H. of the dedication to the sonnets was William Hall, a small piratical stationer. It is never wise to speak positively on what must necessarily be, till certain evidence is obtainable, a matter of speculation. But we are very much inclined to think that Mr. Lee’s contention has at least something in its favour. Our readers will remember that one of the chief points in the enigma of the sonnets is the dedication, and it runs thus: “To the onlie begetter of these ensuing Sonnets, Mr. W. H., all happiness and that eternitie promised by our ever-living poet wisheth the well-wishing adventurer in setting forth. T. T.” It has generally been assumed that the “W. H.” is the youth who is the hero of the first group of sonnets, and the poet’s friend, and he has commonly been identified either with William Herbert, third Earl of Pembroke, or with Henry Wriothesley, third Earl of Southampton. The difficulties in the way of either hypothesis--and on each hypothesis not Babels merely, but cities of Babels have been raised--are to an unprejudiced mind insurmountable. Mr. Lee maintains with plausible ingenuity, but not, we think, conclusively, that there is no proof that the youth of the sonnets was named “Will” at all. His analysis of the “Will” sonnets is a masterpiece of subtle ingenuity, and well deserves careful attention. He then proceeds to adopt the theory that the word “begetter” is not to be taken in the sense of “inspirer,” but simply as “procurer” or “obtainer” of the sonnets for T. T., _i.e._, the publisher, Thomas Thorpe. In other words, that Thorpe dedicated the sonnets to W. H., in return for W. H. having piratically obtained them for him. This is at least doubtful. In the first place it may reasonably be questioned whether “begetter” could have the meaning which is here assigned to it; the passages quoted from _Hamlet_ (“acquire and beget a temperance”) and from Dekker’s _Satiro-mastix_, “I have some cousins german at Court shall beget you the reversion of the Master of the King’s Revels,” are anything but conclusive. Still, Thorpe, who is by no means remarkable for the purity of his English, may have used it in the sense which Mr. Lee’s theory requires. Shakespeare’s sonnets, as is well known, were circulating among his friends in manuscript, and Mr. Lee has discovered that one William Hall was well known as an Autolycus among publishers, and had already edited, under the initials W. H., a collection of poems left by the Jesuit poet, Southwell--in other words had already done for the publisher, George Eld, what it is assumed that he now did for Thomas Thorpe. Mr. Lee’s theory is, it must be admitted, plausible, and few would hesitate to pronounce it far more probable than the theory which would identify the enigmatical initials with the names of Pembroke or Southampton.