Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
Making every allowance for the co-operation of other causes, it would
hardly be an exaggeration to say that the appearance of the _Golden
Treasury of Songs and Lyrics_ in 1861 initiated an era in popular taste.
It remains now incomparably the best selection of its kind in
existence. Its distinctive feature is the characteristic which
differentiates it from all the anthologies which preceded or have
followed it. It was to include nothing which was not first-rate; there
was to be no compromise with the second-rate; if its gems varied, as
gems do in value, each was to be of the first water. With patient and
scrupulous diligence, the whole body of English poetry, from Surrey to
Wordsworth, was explored and sifted. After due rejections, each piece in
the residue was considered, weighed, tested. And here Mr. Palgrave had
assistance, more invaluable than any other anthologist in the world has
had--that of the illustrious poet to whom the volume was dedicated. It
may be safely said of Tennyson that nature and culture had qualified him
for being as great a critic as he was a poet. His taste was probably
infallible; his touchstones and standards were derived not merely from
the masters who had taught him his own art, but from a wonderfully
catholic and sympathetic communion with all that was best in every
sphere of influential artistic activity. The consequence is, that a book
like the _Golden Treasury_, especially when taken in conjunction with
the notes, which form an admirable commentary on the text, may be said
to lay something more than the foundation of a sound critical education.
What the _Golden Treasury_ is to readers of a maturer age the
_Children’s Treasury_ is to younger readers. It is a great pity that
such inferior works as many which we could name are allowed, in our
schools, to supplant such a work as Palgrave’s. The same exquisite taste
and nice discernment mark his other anthologies, his selections from
Herrick, and Tennyson, and, though perhaps in a less degree, his
_Treasury of English Sacred Poetry_, and his recently published
supplement to the _Golden Treasury_. It is probably impossible to
over-estimate the salutary influence which these works have exercised.
Public-domain text, read in full here on John Shaqi.
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