Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
Still less is Greek criticism represented by Aristotle. It is in the
highest degree misleading to generalize from such a work as the
_Poetics_. It is not merely a fragment, but a fragment deformed by
desperate corruption, hopeless interstices and contemptible
interpolations. If it confines itself, or in the main confines itself,
to formal criticism, it is simply because it was designed to deal with
that particular department of criticism, not because its author supposed
that the chief question which concerned criticism was form. Again, if by
form Mr. Worsfold understands, as he appears to do, expression and
structure, he very much misrepresents the Treatise. Aristotle’s
criterion of poetry is not its formal expression, for he distinctly
declares that it is not metre which makes a poem, and even seems to
maintain that a poem may be composed without metre. In Aristotle’s
definition and conception of poetry as the concrete expression of the
universal, in his definition of the scope and functions of tragedy, and
in innumerable occasional remarks we have the germs of much, and of very
much, which Mr. Worsfold would attribute to the later developments of
criticism.
Aristotle, it is true, derived his canons from an analysis of the
masterpieces of Greek poetry, but it is doing him great injustice to
say, that he would make all epics Homeric, and all plays Sophoclean, and
most erroneous to assume that modern criticism commenced at this point.
Aristotle distinctly questions whether tragedy had as yet perfected its
proper types or not (_Poet._, IV. 11), and in discussing the proper
length of tragedy he makes a remark which shows that such a plot as the
plot of _Hamlet_ or the plot of _Lear_ would have been quite compatible
with his canons.[38] The truth is that Mr. Worsfold has gone too far; he
has confounded the various aspects of criticism with stages in its
development. Aristotle dealt mainly with form, because it was his
business to deal with form. Plato approached poetry from a particular
point of view, because it was from that particular point of view that it
concerned him.
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