Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
Sir George Osborne Morgan has served his generation in much more
important capacities than those of a scholar and a translator of Virgil,
and had this little work, therefore, been less meritorious than it is,
no critic with a sense of the becoming would deal harshly with it. But
it challenges and deserves serious consideration, not only as an attempt
to solve a problem of singular interest to students of classical poetry,
but as a somewhat ambitious contribution to the literature of
translation. Sir Osborne Morgan is, however, mistaken in supposing that
in translating Virgil into his own metre he “has undertaken a task which
has never been attempted before.” In 1583 Richard Stanihurst published a
translation of the first four books of the _Æneid_ in English
hexameters; and, if Sir Osborne will turn to Webbe’s _Discourse of
English Poetrie_, published as early as 1586, he will find versions in
English hexameters of the First and Second Eclogues, while Abraham
Fraunce, in a curious volume, entitled _The Countess of Pembroke’s Ivy
Church_, which appeared in 1591, has, among the other hexameters in the
collection, given a version of the Second Eclogue in this measure. But
Sir Osborne Morgan has been more immediately anticipated in his
experiment. In 1838 Dr. James Blundell published anonymously, under the
title of _Hexametrical Experiments_, versions in hexameters of the
First, Fourth, Sixth, and Tenth Eclogues, and to this translation he
prefixed an elaborate preface, vindicating the employment of the
hexameter in English, and explaining its mechanism to the unlearned.
Indeed, Blundell arrived at the same conclusion as Sir Osborne Morgan,
that the proper medium for an English translation of hexametrical poems
in Greek and Latin is the English hexameter. We may, however, hasten to
add that Sir Osborne has little to fear from a comparison with his
predecessors, who have, indeed, done their best to refute by example
their own theory. It may be observed, in passing, that the translations
of Virgil into rhymed decasyllabic verse are far more numerous than Sir
Osborne Morgan seems to suppose. He is, he says, acquainted only with
two--the version by Dryden and Joseph Warton--not seeming to be aware
that Warton translated only the _Georgics_ and _Eclogues_, printing
Pitt’s version of the _Æneid_. The whole of Virgil was translated into
this measure by John Ogilvie between 1649-50, and by the Earl of
Lauderdale about 1716, while versions of the _Æneid_, the _Georgics_,
and the _Eclogues_, in the same metre, have abounded in every era of our
literature, from Gawain Douglas’s translation of the _Æneid_ printed in
1553, to Archdeacon Wrangham’s version of the _Eclogues_ in 1830.
Public-domain text, read in full here on John Shaqi.
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