Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
The internal evidence--and on this alone the question must now be
argued--seems to us conclusive in Thomson’s favour. The Ode is simply a
translation into lyrics of what finds embodiment in Thomson’s
_Britannia_, in the fourth and fifth parts of _Liberty_, and in his
Verses to the Prince of Wales. Coming to details, there can be no doubt
that the third stanza--
“Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies
Serves but to root thy native oak”--
was suggested by Horace’s
“Duris ut ilex tonsa bipennibus
Nigræ feraci frondis in Algido,
Per damna, per cædes, ab ipso
Ducit opes animumque ferro.”
Now, not only was Horace, as innumerable imitations and reminiscences
prove, one of Thomson’s favourite poets, but Thomson has, in the third
part of _Liberty_ translated this very passage:--
“Like an oak,
Nurs’d on feracious Algidum, whose boughs
Still stronger shoot beneath the rigid axe
By loss, by slaughter, from the steel itself
E’en force and spirit drew.”
He has, elsewhere, two other reminiscences of the same passage, once in
the third part of _Liberty_--
“Every tempest sung
Innoxious by, or bade it firmer stand”--
and once in _Sophonisba_ (Act V. sc. ii.):--
“Thy rooted worth
Has stood these wintry blasts, grown stronger by them.”
The epithet “azure” employed in the first stanza is, with “cerulean” and
“aerial,” one of the three commonest epithets in Thomson, the three
occurring at least twenty times in his poetry. A somewhat cursory
examination of his works has enabled us to find that “azure” or “azured”
alone occurs ten times. “Generous,” too, in the Latin sense of the term,
is another of his favourite words, it being used no less than sixteen
times in _Britannia_ and _Liberty_ alone. Another of his favourite
allusions is to England’s “native oaks.” Thus in _Britannia_ he speaks
of--
“Your oaks, peculiar harden’d, shoot
Strong into sturdy growth;”
in the last part of _Liberty_ we find “Let her own naval oak be basely
torn,” and in the same part of the poem he speaks of the “venerable
oaks” and “kindred floods.” The epithet “manly” and the phrase “the
fair”--“manly hearts to guard the fair”--are also peculiarly Thomsonian,
being repeatedly employed by him, the phrase “the fair” occurring in his
poetry at least six times, if not oftener. “Flame,” too, is another of
his favourite words.
“All their attempts to bend thee down
Will but arouse,” etc.,
is exactly the sentiment in _Britannia_.
“Your hearts
Swell with a sudden courage, growing still
As danger grows.”
The stanza beginning “To thee belongs,” etc., is simply a lyrical
paraphrase of the passage in _Britannia_ commencing “Oh first of human
blessings,” and of a couplet in the last part of _Liberty_:--
Public-domain text, read in full here on John Shaqi.
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