In discussing this question we must bear in mind that in Shakespeare’s time, as in the time of the ancients, religion had two aspects, its private and its public. In its public aspect it was a part of the machinery of the state, an essential portion of the political fabric. Till the Reformation there had been practically no schism and no difficulty. After the Reformation a most perplexing problem presented itself. Roman Catholicism and Protestantism, in a long and terrible conflict, struggled for the mastery. At the accession of Elizabeth the victory had been won, so far as England was concerned, by Protestantism, and Protestantism was the accepted religion of the nation. As such, it was the duty of every loyal citizen to uphold it; it became with the throne one of the two pillars on which the fabric of the state rested. Roman Catholicism became identified with the political rivals and enemies of England. Protestantism became identified with her lovers and upholders. Thus the Church and the Throne became indissoluble, at once the symbols, centres, and securities of political harmony and union. This accounts for the attitude of Hooker, Spenser, Shakespeare and Bacon towards Episcopalian Protestantism on the one hand, and towards Puritanism on the other. About Shakespeare’s political opinions there can be no doubt at all, for, if we except the Comedies, he preaches them emphatically in almost every drama which he has left us. They were those of an uncompromising and intolerant Royalist, in whose eyes the only security for all that is dear to the patriot lay in implicit obedience to the will of the sovereign, and in upholding a system to which that will was law. That he should, therefore, have had any sympathy with the Roman Catholics is, on _a priori_ grounds, exceedingly improbable. We turn to his Dramas, and what do we find? It would be no exaggeration to say, that there is not a line in them which indicates that he regarded the Roman Catholics with favour. On the contrary, they abound in points directed against them. Thus he twice goes out of his way, once in _Henry V._[50] and once in _All’s Well that Ends Well_, to observe that “miracles have ceased.” There is a bitter sneer at them in the reference to the sanctimonious pirate and the commandments, in _Measure for Measure_.[51] There can be little doubt that the words in the porter’s speech in _Macbeth_, “here’s an equivocator that could swear in both the scales against either scale, who committed treason enough for God’s sake, yet could not equivocate to Heaven,” have sarcastic reference to the doctrine of equivocation avowed by Garnett and popularly associated with the Jesuits; while the remark about the fitness of “the nun’s lip to the friar’s mouth”[52] in _All’s Well that Ends Well_ is another concession to Protestant prejudice. In _King John_ such a speech as the following may be dramatic, but who can doubt that it expressed the poet’s own sentiments?--