Ephemera Critica; Or, Plain Truths About Current LiteratureCollins, John Churton
History
Ephemera Critica; Or, Plain Truths About Current Literature
Collins, John Churton
Criticism; English literature -- History and criticism; Literature -- History and criticism
Macaulay has an amusing passage in which he has collected the names of
those who, according to Horace Walpole, were “the first writers” in
England in 1753. It might have been expected that Hume, Fielding, Dr.
Johnson, Richardson, Smollett, Collins, and Gray would at least have had
a place among them. Not at all. They were Lord Bath, Mr. W. Whithed, Sir
Charles Williams, Mr. Soame Jenyngs, Mr. Cambridge, and Mr. Coventry; in
other words, a clique of politicians and men of fashion of the very
titles of whose writings even a reader tolerably well read in the
literature of those times might excusably be ignorant. We are not
exaggerating when we say that this system of strenuous and well-directed
mutual puffery is, in our own time, leading to similarly perverted
conceptions about the relative position of those who owe their celebrity
to these ignoble arts and those on whose fame Time’s test has set its
seal, not merely on the part of the general public, but on the part of
those who are responsible for the books introduced into schools and
educational institutes. We will give an illustration.
At a meeting held not long ago, for the purpose of prescribing books for
a Reading Society, the choice lay between some of Johnson’s Lives,
Select Essays by Sainte Beuve, and Select Essays by Matthew Arnold on
the one hand, and on the other certain books typical of the literature
of which we have been speaking. The debate which ensued was very
amusing. A member of the committee, a gentleman of conservative temper,
strongly urged the claims of Johnson, Sainte Beuve, and Arnold, on the
ground that it was the duty of the Society to encourage the study of
what was excellent and of classical quality, especially in criticism;
that it was not merely the information contained in a book which had to
be considered, but the style, the tone, the touch; that the monographs
proposed as an alternative could scarcely be regarded as of the first
order, either in expression or in matter, for he had observed, though he
had only glanced at them, several solecisms in grammar and several
inaccuracies of statement; and he concluded by adding that other
writings of these particular authors with which he happened to be more
familiar had not prejudiced him in their favour. Upon that, another
member of the council, who had been busily conning the Press notices
inserted in the monographs in question, pleaded their claim to
preference. “Dr. Johnson,” he remarked, “was no doubt a great man in his
day, but his day had long been over; no one read him now. Sainte Beuve
and Matthew Arnold might be classical and all that, but they were not up
to date.” He could not talk as an expert on literary matters, and
therefore he would not contradict what the former speaker had said,
“but there could be no doubt that Messrs. So-and-so,” the authors of the
monographs in question, “were very big men--bigger men, I should think
(glancing at the Press notices in his hand), than Sainte Beuve and
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