Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
the virtues of Beowulf are not those of a fictitious paragon king, but
of a man who would be missed in the day when the enemies of the Gauts
should come upon them.
The epic keeps its hold upon what went before, and on what is to come.
Its construction is solid, not flat. It is exposed to the attractions
of all kinds of subordinate and partial literature,--the fairy story,
the conventional romance, the pathetic legend,--and it escapes them
all by taking them all up as moments, as episodes and points of view,
governed by the conception, or the comprehension, of some of the
possibilities of human character in a certain form of society. It does
not impose any one view on the reader; it gives what it is the proper
task of the higher kind of fiction to give--the play of life in
different moods and under different aspects.
CHAPTER III
THE ICELANDIC SAGAS
I
ICELAND AND THE HEROIC AGE
The epic poetry of the Germans came to an end in different ways and at
different seasons among the several nations of that stock. In England
and the Continent it had to compete with the new romantic subjects and
new forms of verse. In Germany the rhyming measures prevailed very
early, but the themes of German tradition were not surrendered at the
same time. The rhyming verse of Germany, foreign in its origin,
continued to be applied for centuries in the rendering of German myths
and heroic stories, sometimes in a style with more or less pretence to
courtliness, as in the _Nibelungenlied_ and _Kudrun_; sometimes in
open parade of the travelling minstrel's "public manners" and simple
appetites. England had exactly the opposite fortune in regard to verse
and subject-matter. In England the alliterative verse survived the
changes of inflexion and pronunciation for more than five hundred
years after _Maldon_, and uttered its last words in a poem written
like the _Song of Byrhtnoth_ on a contemporary battle,--the poem of
_Scottish Field_.[46]
[Footnote 46: Ed. Robson, Chetham Society, 1855, from the Lyme MS.;
ed. Furnivall and Hales, _Percy Folio Manuscript_, 1867.]
There was girding forth of guns, with many great stones;
Archers uttered out their arrows and eagerly they shotten;
They proched us with spears and put many over;
That the blood outbrast at their broken harness.
There was swinging out of swords, and swapping of heads,
We blanked them with bills through all their bright armour,
That all the dale dinned of the derf strokes.
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