Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
The loose assemblage of stories current in Iceland before the Sagas
were composed in writing must, of course, have been capable of all
kinds of variation. The written Sagas gave a check to oral variations
and rearrangements; but many of them in extant alternative versions
keep the traces of the original story-teller's freedom of selection,
while all the Sagas together in a body acknowledge themselves
practically as a selection from traditional report. Each one, the most
complete as well as the most disorderly, is taken out of a mass of
traditional knowledge relating to certain recognisable persons, of
whom any one may be chosen for a time as the centre of interest, and
any one may become a subordinate character in some one else's
adventures. One Saga plays into the others, and introduces people
incidentally who may be the heroes of other stories. As a result of
this selective practice of the Sagas, it sometimes happens that an
important or an interesting part of the record may be dropped by one
Saga and picked up casually by another. Thus in the written Sagas, one
of the best stories of the two Foster-brothers (or rather "Brothers by
oath," _fratres jurati_) Thorgeir and Thormod the poet, is preserved
not by their own proper history, _Fóstbræðra Saga_, but in the story
of Grettir the Strong; how they and Grettir lived a winter through in
the same house without quarrelling, and how their courage was
estimated by their host.[48]
[Footnote 48: "Is it true, Thorgils, that you have entertained those
three men this winter, that are held to be the most regardless and
overbearing, and all of them outlaws, and you have handled them so
that none has hurt another?" Yes, it was true, said Thorgils. Skapti
said: "That is something for a man to be proud of; but what do you
think of the three, and how are they each of them in courage?"
Thorgils said: "They are all three bold men to the full; yet two of
them, I think, may tell what fear is like. It is not in the same way
with both; for Thormod fears God, and Grettir is so afraid of the dark
that after dark he would never stir, if he had his own way; but I do
not know that Thorgeir, my kinsman, is afraid of anything."--"You have
read them well," says Skapti; and so their talk ended (_Grettis Saga_,
c. 51).]
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