Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
The Sagas have comedy in them, comic incidents and characters, because
they have no notion of the dignity of abstract and limited heroics;
because they cannot understand the life of Iceland otherwise than in
full, with all its elements together. The one intentionally comic
history, _Bandamanna Saga_, "The Confederates," which is exceptional
in tone and plot, is a piece of work in which what may be called the
form or spirit or idea of the heroic Saga is brought fully within
one's comprehension by means of contrast and parody. _Bandamanna Saga_
is a complete work, successful in every detail; as an artistic piece
of composition it will stand comparison with any of the Sagas. But it
is comedy, not tragedy; it is a mock-heroic, following the lines of
the heroic model, consistently and steadily, and serving as a
touchstone for the vanity of the heroic age. It is worth study, for
Comedy is later and therefore it would seem more difficult than
Tragedy, and this is the first reasonable and modern comedy in the
history of modern Europe. Further, the method of narrative, and
everything in it except the irony, belong to all the Sagas in common;
there is nothing particularly new or exceptional in the style or the
arrangement of the scenes; it is not so much a parody or a
mock-heroic, as an heroic work inspired with comic irony. It is not a
new kind of Saga, it is the old Saga itself put to the ordeal by the
Comic Muse, and proving its temper under the severest of all strains.
This is the story of the Confederates.--There was a man named Ufeig
who lived in Midfirth, a free-handed man, not rich, who had a son
named Odd. The father and son disagreed, and Odd, the son, went off to
make his own fortune, and made it, without taking any further notice
of his father. The two men are contrasted; Ufeig being an unsuccessful
man and a humorist, too generous and too careless to get on in the
world, while Odd, his son, is born to be a prosperous man. The main
plot of the story is the reconciliation of the respectable son and the
prodigal father, which is brought about in the most perfect and
admirable manner.
Public-domain text, read in full here on John Shaqi.
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