Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
After Sturla, and after the fall of the Commonwealth of Iceland,
although there were still some interesting biographies to be
written--the _Life of Bishop Arne_, the _Life of Bishop Laurence_--it
may be reckoned that the heroic strain is exhausted. After that, it is
a new world for Iceland, or rather it is the common medieval world,
and not the peculiar Icelandic version of an heroic age. After the
fourteenth century the historical schools die out into meagre annals;
and even the glorious figure of Jón Arason, and the tragic end of the
Catholic bishop, the poet, the ruler, who along with his sons was
beheaded in the interests of the Reformed Religion and its adherents,
must go without the honours that were freely paid in the thirteenth
century to bishops and lords no more heroic, no more vehement and
self-willed. The history of Jón Arason has to be made out and put
together from documents; his Saga was left unwritten, though the facts
of his life and death may seem to prove that the old spirit lived
long after the failure of the old literature.
The thirteenth century, the century of Snorri Sturluson and of Sturla
his nephew, is also the age of Villehardouin and Joinville. That is to
say, the finished historical work of the Icelandic School is
contemporary with the splendid improvisations and first essays of
French historical prose. The fates of the two languages are an
instance of "the way that things are shared" in this world, and may
raise some grudges against the dispensing fortune that has ordered the
_Life of St. Louis_ to be praised, not beyond its deserts, by century
after century, while the Northern masterpieces are left pretty much to
their own island and to the antiquarian students of the Northern
tongues. This, however, is a consideration which does not touch the
merits of either side. It is part of the fate of Icelandic literature
that it should not be influential in the great world, that it should
fall out of time, and be neglected, in the march of the great nations.
It is in this seclusion that its perfection is acquired, and there is
nothing to complain of.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account