Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
Here the advantage is with the English romantic author, who has
command of a more subtle and various eloquence. On the other hand, the
scene of the grief of the Duchess Beatrice, when Begon is brought to
his own land, and his wife and his sons come out to meet him, shows a
different point of view from romance altogether, and a different
dramatic sense. The whole scene of the conversation between Beatrice
and Garin is written with a steady hand; it needs no commentary to
bring out the pathos or the dramatic truth of the consolation offered
by Garin.
She falls fainting, she cannot help herself; and when she
awakens her lamenting is redoubled. She mourns over her
sons, Hernaudin and Gerin: "Children, you are orphans; dead
is he that begot you, dead is he that was your
stay!"--"Peace, madame," said Garin the Duke, "this is a
foolish speech and a craven. You, for the sake of the land
that is in your keeping, for your lineage and your lordly
friends--some gentle knight will take you to wife and
cherish you; but it falls to me to have long sorrow. The
more I have of silver and fine gold, the more will be my
grief and vexation of spirit. Hernaudin and Gerin are my
nephews; it will be mine to suffer many a war for them, to
watch late, and to rise up early."--"Thank you, uncle,"
said Hernaudin: "Lord! why have I not a little habergeon of
my own? I would help you against your enemies!" The Duke
hears him, and takes him in his arms and kisses the child.
"By God, fair nephew, you are stout and brave, and like my
brother in face and mouth, the rich Duke, on whom God have
mercy!" When this was said, they go to bury the Duke in the
chapel beyond Belin; the pilgrims see it to this day, as
they come back from Galicia, from St. James.[74]
[Footnote 74: One of the frequent morals of French epic (repeated also
by French romance) is the vanity of overmuch sorrow for the dead.
[Greek: alla chrê ton men katathaptein hos ke thanêsin
nêlea thymon echontas, ep' êmati dakrysantas.]
(Odysseus speaking) _Il._ xix. 228.
"Laissiez ester," li quens Guillaumes dit;
"Tout avenra ce que doit avenir;
Li mort as mors, li vif voissent as vis;
Duel sor dolor et joie sor joïr
Ja nus frans hons nel devroit maintenir."
Les cors enportent, les out en terre mis.
_Garin_, i. p. 262.]
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