Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
It is not hard to find in old English poetry descriptions less austere
than that of _Maldon_; there may be found in the French _Chansons de
Geste_ great spaces in which there is little of the majestic light and
darkness of Roncesvalles. But it is hard to escape the conviction that
the poem of _Maldon_, late as it is, has uttered the spirit and
essence of the Northern heroic literature in its reserved and simple
story, and its invincible profession of heroic faith; while the poem
of Roncesvalles is equally representative of the French epic spirit,
and of the French poems in which the ideas common to every heroic age
are expressed with all the circumstances of the feudal society of
Christendom, immediately before the intellectual and literary
revolutions of the twelfth century. The French epics are full of omens
of the coming victory of romance, though they have not yet given way.
They still retain, in spite of their anticipations of the Kingdom of
the Grail, an alliance in spirit with the older Teutonic poetry, and
with those Icelandic histories that are the highest literary
expression of the Northern spirit in its independence of feudalism.
The heroic age of the ancient Germans may be said to culminate, and
end, in Iceland in the thirteenth century. The Icelandic _Sagas_--the
prose histories of the fortunes of the great Icelandic houses--are the
last and also the finest expression and record of the spirit and the
ideas belonging properly to the Germanic race in its own right, and
not derived from Rome or Christendom. Those of the German nations who
stayed longest at home had by several centuries the advantage of the
Goths and Franks, and had time to complete their native education
before going into foreign subjects. The English were less exposed to
Southern influences than the continental Germans; the Scandinavian
nations less than the Angles and Saxons. In Norway particularly, the
common German ideas were developed in a way that produced a code of
honour, a consciousness of duty, and a strength of will, such as had
been unknown in the German nations who were earlier called upon to
match themselves against Rome. Iceland was colonised by a picked lot
of Norwegians; by precisely those Norwegians who had this strength of
will in its highest degree.
Political progress in the Middle Ages was by way of monarchy; but
strong monarchy was contrary to the traditions of Germania, and in
Norway, a country of great extent and great difficulties of
communication, the ambition of Harold Fairhair was resisted by numbers
of chieftains who had their own local following and their own family
dignity to maintain, in their firths and dales. Those men found Norway
intolerable through the tyranny of King Harold, and it was by them
that Iceland was colonised through the earlier colonies in the
west--in Scotland, in Ireland, in Shetland and the other islands.
Public-domain text, read in full here on John Shaqi.
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