Epic and Romance: Essays on Medieval LiteratureKer, W. P. (William Paton)
History
Epic and Romance: Essays on Medieval Literature
Ker, W. P. (William Paton)
Epic poetry -- History and criticism; Literature, Medieval -- History and criticism; Romances -- History and criticism
For the natural history of poetical forms this point is of the highest
importance. The Teutonic poetry shows that epic may be developed out
of short lays through a gradual increase of ambition and of eloquence
in the poets who deal with common themes. There is no question here of
the process of agglutination and contamination whereby a number of
short lays are supposed to be compounded into an epic poem. Of that
process it may be possible to find traces in _Beowulf_ and elsewhere.
But quite apart from that, there is the process by which an archaic
stiff manner is replaced by greater freedom, without any loss of unity
in the plot. The story of Walter of Aquitaine is as simple as the
story of Hildebrand. The difference between _Hildebrand_ and _Waldere_
is the difference between an archaic and an accomplished mode of
narrative, and this difference is made by a change in spirit and
imagination, not by a process of agglutination. To make the epic of
_Waldere_ it was not necessary to cobble together a number of older
lays on separate episodes. It was possible to keep the original plan
of the old story in its simplest irreducible form, and still give it
the force and magnificence of a lofty and eloquent style. It was for
the attainment of this pitch of style that the heroic poetry laboured
in _Waldere_ and _Beowulf_, with at least enough success to make these
poems distinct from the rest in this group.
With all the differences among them, the continental and English
poems, _Hildebrand_, _Waldere_, and the rest, form a group by
themselves, with certain specific qualities of style distinguishing
them from the Scandinavian heroic poetry. The history of the
Scandinavian poetry is the converse of the English development. Epic
poetry in the North becomes more and more hopeless as time goes on,
and with some exceptions tends further and further away from the
original type which was common to all the Germans, and from which
those common forms and phrases have been derived that are found in the
"Poetic Edda" as well as in _Beowulf_ or the _Hêliand_.
Public-domain text, read in full here on John Shaqi.
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