Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
I lay back in bed and laughed with him, partly from weakness, partly
to hide my shaking, which I was terrified he would notice. I changed
the subject a moment later, as he said nothing more; then, still acting
on impulse and with no preconceived plan or idea of my next move, I
sat bolt upright in bed and fixed him with my eyes. I assumed a very
convinced and serious tone. I felt serious and convinced. The mood of
horror had rushed suddenly up in me:
“Boyde, I remember it all now.” I spoke with great emphasis. “It was
not a dream at all. You came to this bedside and showed me the letter.
You held it out for me to read. It was dated from my old Toronto Dairy
three days ago. _You showed me the cheque too._ It was for seventy-five
dollars, signed by Kay, and made out to your order. I remember every
single detail of it suddenly. And--_so do you_.”
He gazed at me as a little child might gaze. He made no movement. His
eyes neither dropped nor flinched. He merely gazed--with a puzzled,
innocent, guileless stare. A pained expression then stole across his
face.
“Blackwood, what on earth do you mean? It’s not likely I should forget
it if seventy-five dollars came, is it?” he went on quickly in his
most sympathetic voice, an aggrieved note in it that stirred all my
affection instantly. “The most he has sent so far is ten dollars. I
should have given you the money at once. And _you know it_, Blackwood.”
He got up and walked quietly to and fro.
It was the way he uttered those last four words that sent ice down my
spine and brought the mood of horror back. Why this was so, I cannot
explain. Perhaps the phrase rang false; perhaps its over-emphasis
failed. I only know that my hesitation vanished. That prepared plan so
strangely matured, yet hidden so deeply that it emerged only step by
step as it was needed, pushed up another move into my upper mind.
I got slowly out of bed. Perspiration broke out all over me. I felt
very weak. The wound stretched. Straight before me, a long way off it
seemed, was the sofa. Boyde stood watching my every move. He stood like
a statue.
Before I had taken a couple of slow, small steps, crawling round the
edge of the bed, he did two quick things that in a flash brought final
conviction to me, so that I knew beyond any doubt the hideous thing
was true: he moved suddenly across the room, passing in front of me,
though not near enough to touch; three rapid strides and he was against
the window--with his back to the light. It was dusk. He wished to
conceal his face from me. His left arm hung at his side, the hand on a
level with the dressing-table, and I saw his fingers feeling along its
surface, though his eyes never left my own. I saw them find, then grip,
the white-handled razor, and pull it slowly towards him. These were
the two things that betrayed him, but chiefly, I think, the first of
them--concealing his face.
Public-domain text, read in full here on John Shaqi.
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