Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
This “detachment,” in the ignorant way I used it, was, perhaps, nothing
less than shirking of the unpleasant. At twenty-three I had not yet
discovered that better method which consists in facing the unpleasant
without reservation or evasion, while raising the energy thus released
into a higher channel, “transmuting” it, as the jargon of 1922
describes it. “Detachment,” however, even in its earliest stages, and
provided it does not remain merely where it starts, is an acquisition
not without value; it can lead, at any rate, to interesting and curious
experiments. It deputes the surface-consciousness, or sufficient of
it, to deal with some disagreeable little matter in hand, while the
subconscious or major portion of the self--for those who are aware of
possessing it--may travel and go free. It is, I think, Bligh Bond, in
his “Gate of Remembrance,” who mentions that the automatic writer whose
revelations are there given, read a book aloud while his hand with the
pencil wrote. Many a literary man, whose inspiration depends upon the
stirrings of this mysterious subconscious region, knows that to read a
dull book, or talk to a dull person, engages just enough of his surface
consciousness to set the other portion free. Reading verse--though not
poetry, of course--has this effect; for some, a cinema performance,
with the soothing dimness, the music, the ever-shifting yet not too
arresting pictures, works the magic; for others, light music; for
others, again, looking out of a train window. There are as many ways
as individuals. To listen to Mrs. de Montmorency Smith telling her
tedious dream, while you hear just enough to comment intelligently upon
her endless details, even using some of these details to feed your own
more valuable dream, is an admirable method--I am told; and my own
childish habit of squeezing “through the crack between yesterday and
to-morrow” in that horrible bed of East 19th Street, merely happened to
be my own little personal adaptation of the principle....
Incidents that had held a touch of comedy remain more clearly in the
memory than those that held ugliness and horror only. A member of
the Reichstag Central Party, for instance, Rector Ahlwardt by name,
came out to conduct a campaign against the Jews. He was violently
anti-semitic. I was sent to meet his steamer at Quarantine because I
could speak German, and my instructions were to warn him that America
was a free country, that the Jews were honourable and respected
citizens, and that abuse would not be tolerated for a moment. These
instructions I carried out, while we drank white wine in the steamer’s
smoking-room. Freytag, I noticed with amusement, himself a Jew, was
there for the _Staatszeitung_.
Public-domain text, read in full here on John Shaqi.
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