Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
The men with whom I was going were not entirely satisfactory. I knew
them slightly, for one thing; for another, the chief drawback, they
were going in a very different mood from mine. Their one object was
to make their fortunes. It was real gold, and not the glamour of
the wilderness, that called them; and in the Emigrant Sleeper, as
we journeyed towards Duluth, they sketched their plans with intense
enthusiasm: Paxton, the engineer, explained puzzlingly, with the aid
of matches, a trolley he would construct for bringing the ore from pit
to crusher, while R.M., with reckless immorality, enlarged upon the
profits he would derive from running a “joint” of desperate sort--“for
no one need know that my father’s a clergyman, and my uncle in the
House of Lords.”
Both men were shadows; they were not real; there was no companionship
in them for me, at any rate. That they were fellow-travellers for the
moment on a trip I did not care about making alone, was sufficient. I
would just as soon have gone with McCloy or a Tombs policeman.
What constitutes one person out of a hundred “real,” the other
ninety-nine shadows, is hard to define, but an instinct in me has ever
picked out that “real” one. With him or her I know instantly my life is
going to be unavoidably linked: through love or hate, through happiness
or trouble, perhaps through none of these, but with the conviction that
a service has to be rendered or accepted, a debt, as it were, to be
paid or received, a link at any rate that cannot be broken or evaded.
Such real people are to be counted on the fingers of one hand: R.M.
and Paxton were certainly not among them. Nor, for that matter, was my
friend Kay, who, I am reasonably positive, missed the train on purpose;
while, curiously enough, Boyde, that trivial criminal, _was_ among
them. Had Kay, for instance, done what that cheap ruffian did, I should
never have taken the trouble to arrest or punish him....
The comic opera touch began with Whitey racing down the platform waving
a bottle of rye whisky; it continued next morning when we picked up
R.M. at eight o’clock. Our train stopped at Hamilton, Ont., for five
minutes. We craned our heads out of the window and saw a party of
young fellows with flushed faces and singing voices, and on their
shoulders in the early sunshine the inert figure of a huge man without
a hat. They recognized me and heaved him into our compartment, where
he slept soundly for two hours until we had left Toronto far behind.
“Ouch! Ouch!” said Paxton--it was about all “engineer Paxton” ever did
say--“Is that R.M.?” They had never met before. We took the money out
of his pocket for safety’s sake, and it proved to be more than his
promised contribution. His friends had indeed given him a send-off, and
the all-night poker had proved lucrative.
Public-domain text, read in full here on John Shaqi.
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