Authors, English -- 20th century -- Biography; Blackwood, Algernon, 1869-1951
The first time I saw him he cut a sorry figure; an old fellow in far
worse plight and even worse down at heel than I was myself. It was in
an olive-oil warehouse, at No. 1, Water Street, on the river front.
McKay, the owner, whom I had met through some newspaper story or other,
had converted me to the wisdom of an occasional glass of olive oil. It
was healthful and delicious, but to me its chief value was as food. On
this day of broiling heat I had wandered in for a glass of oil, and,
while waiting a moment for the owner to appear, I noticed an old tramp
seated on a packing-case, gazing at me in penetrating fashion. He was a
Jew, he was very small, his feet were tiny, his hands, I took in, were
beautiful. I thought of Moses, of Abraham, some Biblical prophet come
to life, of some storied being like the Wandering Jew.
His atmosphere, that is, at once sent a message of something unusual
to my imagination. But it was when McKay came in and, to my surprise,
calmly introduced us as fellow Englishmen, that my mind was really
startled--not because the old tramp was English, but because when
he rose to shake my hand, it seemed to me that some great figure of
history rose to address, not me, but the nations of the world. He
reached barely to my shoulder, his face upturned to mine, yet the
feeling came that it was I who looked up into his eyes. The dignity and
power the frail outline conveyed were astonishing. He was a Presence.
And his voice the same instant--though in some commonplace about having
known Lord Dufferin--increased the air of greatness, almost I had said
of majesty, that he wore so naturally. It was not merely cultured,
deep and musical, it vibrated with a peculiar resonance that conveyed
authority beyond anything I have known in any other human voice.
We talked ... _he_ talked, rather ... hunger, thirst, the afflicting
moist heat of the day were all forgotten, New York City was forgotten
too. His words carried me beyond this world, his language in that
astonishing voice wore wings that brought escape. His long frock-coat,
green with age and dirt; his broken boots and frayed trousers; his
shapeless top hat, brushed the wrong way till it looked like a beehive
coated with rough plush; his grimy collar without a tie; the spots upon
his grease-stained waistcoat--all vanished completely. It was, above
all, I think, the poetry in his voice and words that brought the balm
and healing into my whole being. The way his hands moved too. We talked
for several hours, for it was McKay’s nasal interruption, saying he
must close the warehouse, that brought me back to--Water Street.
Public-domain text, read in full here on John Shaqi.
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