On this notice we at once betook ourselves to the music room, where four easy chairs had been cozily arranged for our convenience. While the doctor was adjusting the telephone and electroscope connections for our use, I expatiated to my companion upon the contrasts between the conditions of theater-going in the nineteenth and in the twentieth centuries--contrasts which the happy denizens of the present world can scarcely, by any effort of imagination, appreciate. "In my time, only the residents of the larger cities, or visitors to them, were ever able to enjoy good plays or operas, pleasures which were by necessary consequence forbidden and unknown to the mass of the people. But even those who as to locality might enjoy these recreations were obliged, in order to do so, to undergo and endure such prodigious fuss, crowding, expense, and general derangement of comfort that for the most part they preferred to stay at home. As for enjoying the great artists of other countries, one had to travel to do so or wait for the artists to travel. To-day, I need not tell you how it is: you stay at home and send your eyes and ears abroad to see and hear for you. Wherever the electric connection is carried--and there need be no human habitation however remote from social centers, be it the mid-air balloon or mid-ocean float of the weather watchman, or the ice-crusted hut of the polar observer, where it may not reach--it is possible in slippers and dressing gown for the dweller to take his choice of the public entertainments given that day in every city of the earth. And remember, too, although you can not understand it, who have never seen bad acting or heard bad singing, how this ability of one troupe to play or sing to the whole earth at once has operated to take away the occupation of mediocre artists, seeing that everybody, being able to see and hear the best, will hear them and see them only."