London (England) -- Fiction; Working class -- Fiction
Spanswick said this was the proudest moment of his life. Spanswick would
never forget that night: useless for anybody to ask him to do so. If
people should come to Spanswick and invite him to erase that evening from
his recollection, he would answer definitely and decidedly, “Never!” So
long as memory lasted and held its sway, so long would he guarantee to
keep that evening in mind, and carry remembrance with him. Thus
Spanswick, in a generous way that suggested he was doing a noble and
spontaneous act, and one for which the audience should be everlastingly
grateful. Payne, as Chairman, rose, and ignoring a suggestion from the
gallery that he should dance a hornpipe, led the group off, the members
looking shyly across at the audience, and the audience howling
indignantly at one of the men who replaced his hat before getting off.
“Were you nervous, Erb?” asked Louisa excitedly. “_I_ was. Nearly
fainted, didn’t I?”
“Oh, don’t talk,” whispered her lady-companion, enchanted by the
commencement of Act Four. “Don’t talk, please, when there’s such
beautiful things going on.”
Mr. Railton had nothing to do in the last act, the dramatist having
apparently felt that the thin vein of humour which had been struck in the
character was by this time exhausted, and Rosalind looked with anxiety at
the curtained doorway of the circle, but Mr. Railton did not appear
during the last act, and he was not in the vestibule below when the
audience poured out into Blackfriars Road. She was very silent on this,
and when Erb saw her into a tram she shook hands without a word. Going
back to assist Louisa’s young man in the task of escorting the two other
ladies, he found himself intercepted by Mr. Lawrence Railton—Railton, in
an astrachan bordered coat, and well wrapped around the throat, giving
altogether the impression that here was some rare and valuable product of
nature that had to be specially protected.
“I want you!” said the young man.
“You’ll have to want,” said Erb brusquely, and going on.
“But it concerns the girl you were speaking of.”
“Where can we go?” asked Erb, stopping.
“Come round to the bar at the back of the circle,” said Railton, “and you
can give me a drink,” he added generously.
A few members of the company were near the bar, and Railton, to
compensate for the presence of such an ordinary-looking companion, began
to talk loudly and condescendingly. Never drank till after the show, he
explained, some drank during the performance, but none of the best men
did so. One could not give a good reading of the part unless one
observed the principles of strict abstemiousness. He flattered himself
that he was not one likely to make mistakes, and he held his future, as
it were, well and securely in both hands. If Erb would promise not to
let the matter go any further, he would show him, in the strictest
confidence, a letter from a West End manager, that would prove how near
one could be to conspicuous success.
Public-domain text, read in full here on John Shaqi.
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