Erema; Or, My Father's SinBlackmore, R. D. (Richard Doddridge)
History
Erema; Or, My Father's Sin
Blackmore, R. D. (Richard Doddridge)
California -- History -- 19th century -- Fiction; Fathers and daughters -- Fiction; Young women -- Fiction
“To be sure not! I see. That makes all the difference. I admire your
common-sense,” said the Major--“but there! Come and look, and just
exercise it here. There is that very strange woman again, just at the
end of my new road. She stands quite still, and then stares about,
sometimes for an hour together. Nobody knows who she is, or why she
came. She has taken a tumble-down house on my manor, from a wretch of a
fellow who denies my title; and what she lives on is more than any one
can tell, for she never spends sixpence in Bruntsea. Some think that she
walks in the dark to Newport, and gets all her food at some ship stores
there. And one of our fishermen vows that he met her walking on the sea,
as he rowed home one night, and she had a long red bag on her shoulder.
She is a witch, that is certain; for she won't answer me, however
politely I accost her. But the oddest thing of all is the name she gave
to the fellow she took the house from. What do you think she called
herself? Of all things in the world--'Mrs. Castlewood!' I congratulate
you on your relative.”
“How very strange!” I answered. “Oh, now I see why you connect me with
it; and I beg your pardon for having been vexed. But let me go and see
her. Oh, may I go at once, if you please, and speak to her?”
“The very thing I wish--if you are not afraid. I will come with you,
when I get my hammer. Oh, here it is! Mary, how clever you are! Now look
out of the window, and you shall see Erema make up to her grandmamma.”
CHAPTER XXXIX
NOT AT HOME
Mrs. Hockin, however, had not the pleasure promised her by the facetious
Major of seeing me “make up to my grandmamma.” For although we set off
at once to catch the strange woman who had roused so much curiosity,
and though, as we passed the door of Bruntlands, we saw her still at her
post in the valley, like Major Hockin's new letter-box, for some reason
best known to herself we could not see any more of her. For, hurry as he
might upon other occasions, nothing would make the Major cut a corner of
his winding “drive” when descending it with a visitor. He enjoyed every
yard of its length, because it was his own at every step, and he counted
his paces in an under-tone, to be sure of the length, for perhaps the
thousandth time. It was long enough in a straight line, one would have
thought, but he was not the one who thought so; and therefore he had
doubled it by judicious windings, as if for the purpose of breaking the
descent.
“Three hundred and twenty-one,” he said, as he came to a post, where he
meant to have a lodge as soon as his wife would let him; “now the old
woman stands fifty-five yards on, at a spot where I mean to have an
ornamental bridge, because our fine saline element runs up there when
the new moon is perigee. My dear, I am a little out of breath, which
affects my sight for the moment. Doubtless that is why I do not see
her.”
Public-domain text, read in full here on John Shaqi.
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