Erema; Or, My Father's SinBlackmore, R. D. (Richard Doddridge)
History
Erema; Or, My Father's Sin
Blackmore, R. D. (Richard Doddridge)
California -- History -- 19th century -- Fiction; Fathers and daughters -- Fiction; Young women -- Fiction
And therefore my courage soon returned, when it became quite clear that
this animal now had been fastened with a rope, and could come no nearer.
For some little time, then, I waited all alone, as near that bridge as I
could bring myself to stand, for Mrs. Busk, my landlady, could not leave
the house yet, on account of the mid-day letters. Moreover, she thought
that she had better stay away, as our object was to do things as quietly
as could be.
Much as I had watched this bridge from a distance, or from my
sheltering-place, I had never been able to bring myself to make any kind
of sketch of it, or even to insert it in a landscape, although it
was very well suited and expressive, from its crooked and antique
simplicity. The overhanging, also, of the hawthorn-tree (not ruddy yet,
but russety with its coloring crop of coral), and the shaggy freaks of
ivy above the twisted trunk, and the curve of the meadows and bold elbow
of the brook, were such as an artist would have pitched his tent for,
and tantalized poor London people with a dream of cool repose.
As yet the little river showed no signs of doing what the rustic--or
surely it should have been the cockney--was supposed to stand still and
wait for. There was no great rush of headlong water, for that is not
the manner of the stream in the very worst of weather; but there was the
usual style of coming on, with lips and steps at the sides, and cords of
running toward the middle. Quite enough, at any rate, to make the trout
jump, without any omen of impending drought, and to keep all the play
and the sway of movement going on serenely.
Public-domain text, read in full here on John Shaqi.
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