Erema; Or, My Father's SinBlackmore, R. D. (Richard Doddridge)
History
Erema; Or, My Father's Sin
Blackmore, R. D. (Richard Doddridge)
California -- History -- 19th century -- Fiction; Fathers and daughters -- Fiction; Young women -- Fiction
Something came, in a way which I had not by any means expected. I had
told Suan Isco how glad I was that Firm had fixed his liking steadily
upon Miss Sylvester. If any woman on earth could be trusted not to say
a thing again, that one was this good Indian. Not only because of her
provident habits, but also in right of the difficulty which encompassed
her in our language. But she managed to get over both of these, and to
let Mr. Ephraim know, as cleverly as if she had lived in drawing-rooms,
whatever I had said about him. She did it for the best; but it put him
in a rage, which he came at once to have out with me.
“And so, Miss Erema,” he said, throwing down his hat upon the table of
the little parlor, where I sat with an old book of Norman ballads, “I
have your best wishes, then, have I, for a happy marriage with Miss
Sylvester?”
I was greatly surprised at the tone of his voice, while the flush on his
cheeks and the flash of his eyes, and even his quick heavy tread, showed
plainly that his mind was a little out of balance. He deserved it,
however, and I could not grieve.
“You have my best wishes,” I replied, demurely, “for any state of life
to which you may be called. You could scarcely expect any less of me
than that.”
“How kind you are! But do you really wish that I should marry old
Sylvester's girl?”
Firm, as he asked this question, looked so bitterly reproachful (as if
he were saying, “Do you wish to see me hanged?”), while his eyes took a
form which reminded me so of the Sawyer in a furious puzzle, that it was
impossible for me to answer as lightly as I meant to do.
“No, I can not say, Firm, that I wish it at all; unless your heart is
set on it--”
“Don't you know, then, where my heart is set?” he asked me, in a deep
voice, coming nearer, and taking the ballad-book from my hands. “Why
will you feign not to know, Erema, who is the only one I can ever think
of twice? Above me, I know, in every possible way--birth and education
and mind and appearance, and now far above me in money as well. But what
are all these things? Try to think if only you could like me. Liking
gets over every thing, and without it nothing is any thing. Why do
I like you so, Erema? Is it because of your birth, and teaching,
and manners, and sweet looks, and all that, or even because of your
troubles?”
“How can I tell, Firm--how can I tell? Perhaps it is just because of
myself. And why do you do it at all, Firm?”
“Ah, why do I do it? How I wish I knew! Perhaps then I might cure it. To
begin with, what is there, after all, so very wonderful about you?”
“Oh, nothing, I should hope. Most surely nothing. It would grieve me to
be at all wonderful. That I leave for American ladies.”
“Now you don't understand me. I mean, of course, that you are
wonderfully good and kind and clever; and your eyes, I am sure, and your
lips and smile, and all your other features--there is nothing about them
that can be called any thing else but wonderful.”
Public-domain text, read in full here on John Shaqi.
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