A week of silence followed. Dorn talked. Politics, economics, the coming
peace treaty. Rachel listened and made replies. Yet their words seemed
only the part of a silence between them. A letter from Washington
interrupted them. A passport was being issued for Erik Dorn, but the
bureau was not issuing passports for women and would have to deny Mrs.
Rachel Dorn ... "enclosed please find $1 deposit made for Mrs. Dorn at
this office."
"Well, that ends it," he laughed. "Perhaps I shouldn't have lied about
your being Mrs. Dorn. God is a jealous God and punishes liars."
"You must go on," Rachel said. "Perhaps I'll get one later."
"No, we'll both wait. I couldn't go without you."
Rachel regarded him tenderly. They were sitting on Mama Turpin's porch.
"Yes, you will," she said.
He shook his head, pleased at the opportunity for sacrifice. He hoped as
he smiled that Rachel would plead with him to go alone. In her pleading
she would point out all the things he was giving up by not going. She
might even say, "You must go, Erik. You can't sacrifice your career."
Then he could shrug his shoulders, remain silent for a moment as if
weighing his career beside his love for her, and smile suddenly and say,
gently, "No. It's ended. Please, it's ended and forgotten." A laugh, a
bit too casual, would leave the thing on the proper plane. Later there
would be times when he could grow thoughtful and abstract and Rachel,
looking at him, would know that he had sacrificed--his career.
On Mama Turpin's porch Dorn's thoughts rambled in silence. Rachel had
said nothing. He looked at her and grew confused before the straightness
of her eyes, as if she knew the tawdry little plot moving through his
mind. Then an irritation ... why didn't she plead? Did she think it was
nothing to give up his plans? Was it anything? No. He endeavored to
evade his own questioning, but his thoughts mocked him with answers....
"I'm playing a game with her. I want her to feel sorry and grateful for
my not going and to feel that I've made a sacrifice for her. Because I
could cherish it against her ... later. Have something I could pretend
to be sad about. It would give me an excuse to scold her.... Merely by
looking at her I could remind her that she is indebted to me for a
sacrifice. Make-believe sacrifice gives one the unconsciousness of
virtue without any of its discomforts. I'm irritated because she refuses
to play her part in the farce and so makes me seem cheap. She knows I'm
lying but she can't figure out how or what about. So she looks at me and
says to herself, 'Erik has changed. He's different.' She means that I've
become an actor and able to offer her cheap things. But she doesn't know
that in words."
Public-domain text, read in full here on John Shaqi.
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