Erik Dorn drifted through a haze of weeks. This was London. This, Paris.
This, Rotterdam. And this, after a long, cold ride standing up in a
windowless coach, Berlin. But all curiously alike. People in all of them
who said, "We are strangers to you."
There was nothing to see. No impressions to receive. More cities, more
people, more words and a detachment. The detachment was Europe. In his
own country there was no detachment. He was a part of crowds,
newspapers, buildings. Here he was outside. Familiar things looked
strange. The eyes busied themselves trying to forget things before
them, scurrying after details and worried by an unrelation in
architecture, faces, gestures.
It was mid-December when he sat in a hotel room in Berlin one night and
ate blue-colored fish, boiled potatoes, and black, soggy bread. He had
been wandering for days through snow-covered streets. Now there was
shooting in the streets.
"Germany is starving," said an acquaintance. "Our children are dying off
by the thousands, thanks to the inhuman blockade."
But despite even the shooting in the streets Dorn noticed the Germans
had lost interest in the war. The idea of the war had collapsed. In
England and France the idea was still vaguely alive. People kept it
alive by discussing it. But even there it had become something
unnatural.
One thing there was in common. Only a few people seemed to have been
killed. London was jammed. Even though the newspapers summed it up now
and then with "a generation has been killed." Paris, too, was jammed.
And Berlin now, jammed also. The war had been fought by people who were
dead. And the people who were alive were living away its memory.
In Berlin a week, and he thought, "A circus has pulled down its tent,
carted off its gaudy wagons, its naphtha lights, and its boxes of
sawdust. And a new show is staking out the lot."
The new show was coming to Berlin. Fences and building walls were
plastered with its lithographs ... "The Spirit of Bolshevism Marches
... Beware the Wrecker of Mankind...." Posters of gorillas chewing on
bloody knives, of fiends with stringy hair setting the torch to
orphanages and other nobly drawn edifices labeled "Kultur, Civilization,
Humanitat...." The spielers were already on the job. Machine-guns barked
in the snow-covered streets. A man named Noske was a _Bluthund_. A man
named Liebknecht was a _Schweinhund_.
In his hotel room Dorn, eating blue-colored fish, spoke to an
acquaintance--an erudite young German who wore a monocle, whose eyes
twinkled with an odd humor, and who under the influence of a bottle of
Sekt was vociferating passionately in behalf of a thing he called _Welt_
Revolution.
"I don't understand it yet, von Stinnes," Dorn smiled. "I will later. So
far I've managed to do nothing more than enjoy myself. Profundity is
diverting in New York, but a bore in Berlin. There's too much of it.
Good God, man, there are times when I feel that even the buildings of
the city are wrapped in thought."
Public-domain text, read in full here on John Shaqi.
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