Dorn returned to find the tableau had suffered an explosion. It had for
some mysterious reason glibly identified as reaction burst into
fragments and vanished in a skyrocket chaos. Shantung, Poland, little
nations, pogroms, plebiscites, Ireland, steel strikes, red armies,
Fourteen Points, The Truth About This, The Real Story of That, the
League of Nations, the riots in Berlin, in Dublin, Milan, Paris, London,
Chicago; secret treaties, pacts, betrayals, Kolchak--an incomprehensible
muddle of newspaper headlines shrieked from morning to morning and said
nothing. The distracted mob become privy for the moment to the vast
biological disorder eternally existent under its nose, snorted, yelped,
and shook indignant sawdust out of its ears.
In vain the editorial Jabberwocks came galloping daily down the slopes
of Sinai bearing new tablets written in fire. The original and only
genuine tableau was gone. The starry heavens which concealed the Deity
Himself had become a junkpile full of its fragments.
"In the temporary collapse of the banalities that conceal the world
from their eyes," thought Dorn, "they're trying to figure out what's
really what around them--and making a rather humorous mess of it."
He went about for several days dining with friends, conferring with
Edwards and the directors of the _New Opinion_, and slowly shaping his
"experiences abroad" into phonograph records that played themselves
automatically under the needles of questions.
At night, he amused himself with reading the radical and conservative
periodicals, his own magazine among them.
"The thing isn't confined to the bloated capitalists alone," he laughed
one afternoon while sitting with Warren Lockwood in the latter's rooms.
"The radicals are up a tree and the conservatives down a cellar. What do
you make of it, Warren?"
"I haven't paid much attention to it," the novelist smiled. "I've been
busy on a book. What's all this stuff about Germany, anyway? I read some
things of yours but I can't figure it out."
Dorn exploded with another laugh.
Public-domain text, read in full here on John Shaqi.
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