"What made you so late, Erik?" he asked. Now his son was laughing. That
was a good sign.
"A lot of work at the office. The Russians are at it again. And I met an
old friend this afternoon. A dear old friend. Old friends make one
sentimental and garrulous. So we talked."
He noticed the old man's eyes close but continued addressing him.
"We discussed problems in mathematics. How many yesterdays make a
to-morrow. That gas-log smells to high heaven."
He leaned over and turned out the odorous flames. He noticed now that
the old man had dozed off again. But his talk went on. It had become a
habit to keep on talking to his father who dozed under his words. "She's
going to drop around and visit us. And we will perform a gentle autopsy.
Stir a little cloud of dust out of the bucket of ashes, eh? And perhaps
we will come to life for a moment. Who knows? At least, we shall weep.
And that is something. To be able to weep. To know enough to weep. Her
name is Rachel."
He paused and walked toward the window.
"Rachel," he repeated, his eyes no longer on the old man. "Her name is
unchanged...."
He opened von Stinnes's silver case and removed a cigarette. He stood
gazing at the snow on roofs, on window ledges, on pavements. Crystalline
geometries. Houses that made little puzzle pictures against the stagnant
curve of the darkening sky. A zigzag of leaden-eyed windows, and windows
ringed with yellow light peering like cat eyes into the winter dusk. The
darkness slowly ended the scene. Night covered the snow. The city opened
its tiny yellow eyes.
A street of houses before him. A cigarette under his nose. An old man
asleep. Outside the window the snow-covered buildings stood in the dark
like a skeleton world, like patterns in black and white.
Public-domain text, read in full here on John Shaqi.
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