Ernest Linwood; or, The Inner Life of the AuthorHentz, Caroline Lee
General
Ernest Linwood; or, The Inner Life of the Author
Hentz, Caroline Lee
Fiction
"Miss Margaret Melville," she repeated, looking at her son, who stood,
leaning with an air of stately indifference against a pillar of the
piazza. I had withdrawn my hand from his arm, and felt as if the breadth
of the frozen ocean was between us.
"Does Mr. Ernest Linwood forget his old friend so easily?" she asked, in
a clear, ringing voice, extending a fair ungloved hand. "Do you not
remember Madge Wildfire, or Meg the Dauntless, as the students used to
call me? Or have I become so civilized and polished that you do not
recognize me?"
"I did not indeed," said he, receiving the offered hand with more grace
than eagerness, "but it is not so much the fault of _my_ memory, as the
marvellous change in yourself. I must not say improvement, as that would
imply that there was a time when you were susceptible of it."
"You may say just what you please, for I like frankness and
straightforwardness as well as I ever did; better,--a great deal better,
for I know its value more. And you, Ernest, I cannot call you any thing
else, you are another and yet the same. The same stately, statue-like
being I used to try in vain to teaze and torment. It seems so long since
we have met, I expected to have seen you quite bent and hoary with age.
Do tell me something of your transatlantic experience."
While she was speaking in that peculiar tone of voice which reminded one
of a distant clarion, Richard Clyde came to me on the other side, and
seeing that she wished to engage the conversation of Ernest, which she
probably thought I had engrossed too long, I took the offered arm of
Richard and returned to the drawing-room. Seeing a table covered with
engravings, I directed our steps there, that subjects of conversation
might be suggested independent of ourselves.
"How exquisite these are!" I exclaimed, taking up the first within my
reach and expatiating on its beauties, without really comprehending one
with my preoccupied and distant thoughts. "These Italian landscapes are
always charming."
"I believe that is a picture of the Boston Common," said he, smiling at
my mistake; "but surely no Italian landscape can boast of such
magnificent trees and such breadth of verdure. It is a whole casket of
emeralds set in the granite heart of a great city. And see in the centre
that pure, sparkling diamond, sending out such rays of coolness and
delight,--I wonder you did not recognize it."
"I have seen it only in winter, when the trees exhibited their wintry
dreariness, and little boys were skating on the diamond surface of that
frozen water. It looked very different then."
"Mr. Linwood could explain these engravings," said he, drawing forward
some which indeed represented Italian ruins, grand and ivy mantled,
where the owl might well assert her solitary domain. "He has two great
advantages, an eye enlightened by travel, and a taste fastidious by
nature."
Public-domain text, read in full here on John Shaqi.
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