Ernest Linwood; or, The Inner Life of the AuthorHentz, Caroline Lee
General
Ernest Linwood; or, The Inner Life of the Author
Hentz, Caroline Lee
Fiction
Shuddering, as I asked myself this question, I turned towards him, as if
to daguerreotype on my heart every lineament of his striking and
expressive face. How beautiful was his countenance this moment, softened
by tenderness, so delicately pale, yet so lustrous, like the moonlight
night!
"Oh, Ernest!" said I, throwing my arms around him, with a burst of
irrepressible emotion, "I am not worthy of the love you bear me, but yet
I prize it far more than life. If the hour comes when it is withdrawn
from me, I pray Heaven it may be my last."
"It can never be withdrawn, my Gabriella. You may cast it from your
bosom, and it may wither, like the flower trampled by the foot of man;
but by my own act it never can be destroyed. Nor by yours either, my
beloved wife. At this moment I have a trust in you as entire as in
heaven itself. I look back with wonder and remorse on the dark delusions
to which I have submitted myself. But the spell is broken; the demon
laid. Sorrow has had its season; but joy hath come in the morning.
Smile, my darling Gabriella, in token of forgiveness and peace."
I tried to smile, but the tears would gather into my eyes.
"Foolish girl!" he cried. A loud laugh rung under the silken arches.
Madge stood in the open door, her great black eyes brimming with mirth.
"When you have finished your parting ceremonies," she exclaimed, "I
think we had better start. One would think you were going to Kamschatka
or Terra del Fuego, instead of Broadway. Oh dear! what a ridiculous
thing it is to see people in love with each other, after they are
married! Come, Gabriella; you can carry his miniature with you."
As the carriage rolled from the gate, I was so agitated at the thought
of the approaching interview I could not speak. Madge rattled away, in
her usual light manner; but I did not attempt to answer her. I leaned
back in the carriage, revolving the best way of accomplishing my design.
After leaving Madge, instead of going to the lady's, at whose house the
society met, I ordered the coachman to drive to one of the fashionable
stores and leave me.
"Return in an hour," said I, as I left the carriage. "You will find me
at Mrs. Brahan's. Drive the horses out to the Battery for exercise, as
you usually do."
As I gave these orders, my heart beat so fast I could hardly articulate
with distinctness. Yet there was nothing in them to excite suspicion.
The horses were high-fed and little used, gay and spirited, and when we
shopped or made morning calls, the coachman was in the habit of driving
them about, to subdue their fiery speed.
Public-domain text, read in full here on John Shaqi.
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