Ernest Linwood; or, The Inner Life of the AuthorHentz, Caroline Lee
General
Ernest Linwood; or, The Inner Life of the Author
Hentz, Caroline Lee
Fiction
Gradually the company dispersed. As I came so late, I remained a little
behind the rest, attracted by a painting in the back parlor. I suppose I
inherited from my father a love of the fine arts; for I never could pass
a statue or a picture without pausing to gaze upon it.
This represented a rocky battlement, rising in the midst of the deep
blue sea. The silvery glimmer of moonlight shone on the rippling waves;
moonlight breaking through dark clouds,--producing the most dazzling
contrast of light and shade. A large vessel, in full sail, glided along
in the gloom of the shadows; a little skiff floated on the
white-crested, sparkling, shining tide. The flag of our country waved
from the rocky tower. I seemed gazing on a familiar scene. Those wave
washed battlements; that floating banner; the figures of soldiers
marching on the ramparts, with folded arms and measured tread,--all
appeared like the embodiment of a dream.
"What does this represent?" I asked.
"Fortress Monroe, on Chesapeake Bay."
"I thought so. Who was the artist?"
"I think his name was St. James. It is on the picture, near the frame.
Yes,--Henry Gabriel St. James. What a beautiful name! Poor fellow!--I
believe he had a sad fate! Mr. Brahan could tell you something of his
history. He purchased this house of him seventeen years ago. What is the
matter, Mrs. Linwood?"
I sank on the nearest seat, incapable of supporting myself. I was in the
house where I was born,--where my mother passed the brief period of her
wedded happiness; whence she was driven, a wronged, despairing woman,
with me, an unconscious infant, in her arms. It was my father's glowing
sketch on which I was gazing,--that father whom I had so recently
met,--a criminal, evading the demands of justice; a man who had lost all
his original brightness,--a being of sin and misery.
Mrs. Brahan rang for water; but I did not faint.
"I have taken a long walk this morning," I said, "and your rooms are
warm. I feel better, now. And this house belonged to the artist? I feel
interested in his story."
Public-domain text, read in full here on John Shaqi.
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