Ernest Linwood; or, The Inner Life of the AuthorHentz, Caroline Lee
General
Ernest Linwood; or, The Inner Life of the Author
Hentz, Caroline Lee
Fiction
And Ernest,--with what deep self-abasement he acknowledged the errors
into which blind passion had led him. With what anguish he reflected on
the disgraceful charge he had brought against me. Yes; even with tears,
he owned his injustice and madness, and begged me to forget and forgive.
"What have I done?" he cried, when, after our passionate emotions having
subsided, we sat hand in hand, still pale and trembling, but subdued and
grateful, like two mariners escaped from wreck, watching the billows
roaring back from the shore. "What have I done, that this curse should
be entailed upon me? In these paroxysms of madness, I am no more master
of myself than the maniac who hurls his desperate hand in the face of
Omnipotence. Reason has no power,--love no influence. Dark clouds rush
across my mind, shutting out the light of truth. My heart freezes, as in
a wintry storm. O, Gabriella! you can have no conception of what I
suffer, while I writhe in the tempter's grasp. It is said God never
allows man to be tempted beyond his powers of resistance. I dare not
question the word of the Most High, but in the hour of temptation I feel
like an infant contending with the Philistine giant. But, oh! the joy,
the rapture when the paroxysm is past,--when light dawns on the
darkness, when warmth comes meltingly over the ice and snow, when reason
resumes its sway, and love its empire,--oh! my beloved! it is life
renewed--it is a resurrection from the dead,--it is Paradise regained in
the heart."
Those who have floated along on a smooth, tranquil tide, clear of the
breakers and whirlpools and rocks, or whose bark has lain on stagnant
waters, on which a green and murky shade is beginning to gather, with no
breeze to fan them or to curl the dull and lifeless pool, will accuse me
of exaggeration, and say such scenes never occurred in the actual
experience of wedded life; that I am writing a romance, instead of a
reality.
I answer them, that I am drawing the sketch as faithfully as the artist,
who transfers the living form to the canvas; that as it is scarcely
possible to exaggerate the dying agonies of the malefactor transfixed by
the dagger, and writhing in protracted tortures, that the painter may
immortalize himself by the death-throes on which he is gazing; so the
agonies of him,
"Who doubts, yet does, suspects, yet fondly loves,"
cannot be described in colors too deep and strong. Prometheus bound to
the rock, with the beak of the vulture in his bleeding breast, suffering
daily renewing pangs, his wounds healed only to be torn open afresh, is
an emblem of the victim of that vulture passion, which the word of God
declares to be cruel and insatiable as the grave.
No; my pen is too weak to describe either the terrors of the storm or
the halcyon peace, the heavenly joy that succeeded. I yielded to the
exquisite bliss of reconciliation, without daring to give one glance to
the future. I had chosen my destiny. I had said, "Let me be loved,--I
ask no more!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account