Ernest Maltravers — CompleteLytton, Edward Bulwer Lytton, Baron
General
Ernest Maltravers — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
“Certainly; the copy of the note you have despatched to Maltravers I
shall show to Lady Florence this evening, as a proof of your sobered
and generous feelings; observe, it is so written, that the old letter of
your rival may seem an exact reply to it. To-morrow a reference to this
note of yours will bring out our scheme more easily; and if you follow
my instructions, you will not seem to _volunteer_ showing our handiwork,
as we at first intended; but rather to yield it to her eyes, from
a generous impulse, from an irresistible desire to save her from an
unworthy husband and a wretched fate. Fortune has been dealing our cards
for us, and has turned up the ace. Three to one now on the odd trick.
Maltravers, too, is at home. I called at his house, on returning from my
uncle’s, and learned that he would not stir out all the evening.”
In due time came the answer from Ernest: it was short and hurried; but
full of all the manly kindness of his nature; it expressed admiration
and delight at the tone of Cesarini’s letter; it revoked all former
expressions derogatory to Lady Florence; it owned the harshness and
error of his first impressions; it used every delicate argument that
could soothe and reconcile Cesarini; and concluded by sentiments of
friendship and desire of service, so cordial, so honest, so free from
the affectation of patronage, that even Cesarini himself, half insane as
he was with passion, was almost softened. Lumley saw the change in his
countenance--snatched the letter from his hand--read it--threw it into
the fire--and saying, “We must guard against accidents,” clapped the
Italian affectionately on the shoulder, and added, “Now you can have no
remorse; for a more Jesuitical piece of insulting hypocritical cant I
never read. Where’s your note to Lady Florence? Your compliments, you
will be with her at two. There, now the rehearsal’s over, the scenes
arranged, and I’ll dress, and open the play for you with a prologue.”
CHAPTER VIII.
“Aestuat ingens
Imo in corde pudor, mixtoque insania luctu,
Et furiis agitatus amor, et conscia virtus.” *--VIRGIL.
* Deep in her inmost heart is stirred the immense shame, and madness
with commingled grief, and love agitated by rage, and conscious virtue.
THE next day, punctual to his appointment, Cesarini repaired to his
critical interview with Lady Florence. Her countenance, which, like
that of most persons whose temper is not under their command, ever too
faithfully expressed what was within, was unusually flushed. Lumley
had dropped words and hints which had driven sleep from her pillow and
repose from her mind.
She rose from her seat with nervous agitation as Cesarini entered and
made his grave salutation. After a short and embarrassed pause, she
recovered, however, her self-possession, and with all a woman’s delicate
and dexterous tact, urged upon the Italian the expediency of accepting
the offer of honourable independence now extended to him.
Public-domain text, read in full here on John Shaqi.
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