Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
Daikoku is a short chubby fellow, with eyes half sunk in fat, but
twinkling with fun. He has a flat cap set on his head, a loose sack
over his shoulders, and big boots on his feet. His throne is two straw
bags of rice, and his badge of office is a mallet or hammer, which
makes people rich when he shakes it. The hammer is the symbol of labor,
showing that people may expect to get rich only by hard work. One end
of it is carved to represent the jewel of the ebbing and the flowing
tides, because merchants get rich by commerce on the sea, and must
watch the tides. He is often seen holding the counting-board, on which
you can reckon, do sums, subtract, multiply or divide, by sliding balls
up and down a row of sticks set in a frame, instead of writing the
figures. Beside him is a ledger and day-book. His favorite animal is
the rat, which, like some rich men’s pets, eats or runs away with his
wealth.
The great silver-white radish called _daikon_, two feet long and
as big as a man’s calf, is always seen near him, because it signifies
flourishing prosperity. He keeps his bag tightly shut, for money easily
runs away when the purse is once opened. He never lets go his hammer,
for it is only by constant care that any one can keep money after he
gets it. Even when he frolics with Fukoruku Jin, and rides on his
head, he keeps his hammer swinging at his belt. He has huge lop ears.
Once in a while, when he wishes to take exercise, and Fukoruku Jin
wants to show how frisky he can be, even if he is old, they have a
wrestling-match together. Daikoku nearly always beats, because Fukoruku
Jin is so tall that he has to bend down to grip Daikoku, who is fat and
short, and thus he becomes top-heavy. Then Daikoku gets his rival’s
long head under his left arm, seizes him over his back by the belt, and
throws him over his shoulder flat on the ground. But if Fukoruku Jin
can only get hold of Daikoku’s lop ears both fall together. Then they
laugh heartily and try it again.
[Illustration: DOMESTIC ALTAR OF THE GODS OF DAILY FOOD AND
OF RICE.]
Ebisu is the patron of daily food, which is usually rice and fish, and
in old times was chiefly the latter. He is nearly as fat as Daikoku. He
wears a court noble’s high cap. He is always fishing or enjoying his
game. When very happy, he sits on a rock by the sea, with his right
leg bent under him, and a big red fish, called the tai, a fish like a
perch, under his left arm. He carries a straw wallet on his back to
hold his fish and keep it fresh. Often he is seen standing knee deep in
the water, pole in hand, watching for a nibble. Some say that Ebisu is
the same scamp that goes by the other name of Sosanoō.
[Illustration: HOTEI, THE GOD OF HAPPINESS.]
Public-domain text, read in full here on John Shaqi.
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