Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
Almost every Chinese house has either a “hall of ancestors” or at least
a closet, where the ancestral tablet is kept. The tablet is called Shin
Chu, meaning _house of_ the spirit. It is made of wood, and is
generally about twelve inches high and three inches wide. The wood is
generally fragrant, and parts are elaborately carved. It consists of
three pieces, a pedestal and two upright pieces. Often a place is cut
in the back, in which pieces of paper containing the names of ancestors
are inserted. Every day before this tablet incense and paper prayers
are burned. The prayers are written upon the paper, and the Chinese
believe that when the papers are burned they go to their dead fathers
and mothers. These are not prayers _for_ these dead parents, but
prayers _to_ them. They believe that each man has three souls, one
of which at his death goes to Heaven, one remains with the body in the
grave and one returns home and lives in the ancestral tablet. In April
of each year a day is selected, when especial worship is paid at the
graves. Every man, woman and child hastens away to the family tombs,
taking offerings and candles to worship at the graves. To neglect this
ceremony is counted a slight to one’s dead parents.
[Illustration: ANCESTRAL TABLET.]
[Illustration: A CHINAMAN BURNING PRAYERS INSTEAD OF SAYING
THEM.]
The following translation of a prayer offered at the tomb shows that it
is a real worship which is given:
“TANKWANG, _12th Year, 3d Moon, 1st Day_.
“I, Lin Kwang, the second son of the third generation, presume to
come before the grave of my ancestor, Lin Kung. Revolving years
have brought again the season of spring. Cherishing sentiments of
veneration, I look up and sweep your tomb. Prostrate, I pray that you
will come and be present, and that you will grant to your posterity
that they may be prosperous and illustrious. At this season of
genial showers and gentle breezes, I desire, to recompense the root
of my existence, and exert myself sincerely. Always grant your safe
protection. Most reverently, I present the five-fold sacrifice of a
pig, a fowl, a duck, a goose, and a fish; also, an offering of five
plates of fruit, with libations of spirituous liquors, earnestly
entreating that you will come and view them. With the most attentive
respect, this announcement is presented on high.”
[Illustration: BRINGING HOME ONE OF THE SOULS OF A DEAD MAN
IN HIS CLOTHES.]
To a Chinaman there is no greater sin than to neglect the worship of an
ancestor; no greater calamity can happen than that he should die and be
buried away from his native land. Almost every steamer that crosses the
Pacific from America carries one or more preserved bodies of Chinamen,
taking them home to be buried.
CEREMONY OF TURNING THE BRIDGE-LADDER.
Public-domain text, read in full here on John Shaqi.
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