Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
As soon as a pongyee has expired, the body is reverently washed by the
elders, who were his supporters. The body is then opened, the viscera
extracted, and buried anywhere without ceremony. The cavity of the
abdomen is filled with hot ashes and various preservative substances.
Long swathes of white cotton-cloth are wrapped as tightly as possible
round the corpse from head to foot, over which are placed the yellow
robes of the order. Another coarser wrapping of cotton-cloth is tightly
wound over this, and then thickly covered with black varnish, on which
gold leaf is applied, so that the whole is gilt. A coffin is prepared
from a single log, hollowed out, which many old pongyees keep in their
monasteries ready for their demise. The body, having been placed in
this, is left for some weeks to dry up, for most of such venerable
and aged recluses are little more than a frame-work of bones, covered
with a withered skin. The cover is at length nailed on; the coffin is
thickly covered with a resinous varnish and gilt. It is temporarily
laid in state in the monastery, on a high dais, ornamented with tinsel,
gilding and paper lace, surmounted by a white umbrella, or canopy of
muslin, and is constantly visited by pilgrims from the surrounding
country, who make their obeisance and present offerings of flowers,
etc., to it.
As soon as sufficient funds have been collected, a building, called
Nibban Kyeng (that is, Monastery of the Dead), is erected for the
reception of the body. With obscure and inferior monks this is only
made of bamboos and thatch; but with a distinguished and venerated
monk it is a substantial structure, with large, handsome pillars of
iron-wood or teak, roofed with shingles. This is open all around, or is
only surrounded by a railing to keep out animals. In the centre, within
a high sarcophagus, richly but rudely adorned with gilding, glass,
mosaic work and painting, is enshrined the coffin, to await, perhaps,
for four years the final funeral rites.
At length, the time of waiting has passed; the preparations are
complete; a fortunate day has been fixed upon, and for weeks previous,
the town where the ceremony is to take place, and all the surrounding
country, has been astir with the arrangements for and expectation of
the great event.
The coffin is placed on a gigantic car, solidly constructed, and with
four heavy solid wooden wheels, surmounted with a canopy similar in
form and construction to that crowning the funeral pyre. This lofty
turret is drawn along by hundreds of men, and placed in the centre of
the plain. The next day, the _fun_ begins. Two great ropes of
twisted canes, or coirs, are fastened to the funeral car in front and
behind, long enough for a hundred people to hold on to each and to pull
each way. The people group themselves about either rope as they belong
to one or other of two neighboring villages. Then comes a tug, each
trying to pull the car away from the other.
Public-domain text, read in full here on John Shaqi.
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