Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
Rhea was united to Kronos. Kronos, having learned from his parents,
Heaven and Earth, that he was fated to be deprived by one of his
sons of the kingdom which he had taken from his father, devoured his
children as fast as they were born. Rhea, when about to be delivered
of Zeus, besought her parents to teach her how she might save him.
Instructed by Earth, she concealed him in a cavern of Crete, and gave
a stone in his stead to Kronos. This stone he afterward threw up, and
with it the children whom he had devoured. When Zeus was grown up,
he and the other children of Kronos made war on their father and the
Titans. The scene of the conflict was Thessaly; the former fought from
Olympus, the latter from Othrys. During ten entire years the conflict
was undecided; at length, by the counsel of Earth, the Kronids released
the Hundred-handed and called them to their aid. The war was then
resumed with renewed vigor, and the Titans were finally vanquished and
imprisoned in Tartarus, under the guard of the Hundred-handed. The
Kronids then, by the advice of Earth, gave the supreme power to Zeus,
who, in return, distributed honors and dominion among the associates of
his victory.
GODS OF THE GRECIANS.
The Greeks of the early ages regarded the lofty Thessalian mountain
named Olympus as the dwelling of their gods. In the Odyssey, where the
deities are of a character far more dignified and elevated than in the
Ilias, the place of their abode shares in their exaltation; and it may
almost be doubted if the poet who drew the following picture of Olympus
could have conceived it to be no more than the summit of a terrestrial
mountain:
“Olympus, where they say the ever firm
Seat of the gods is, by the winds unshaken,
Nor ever wet with rain, nor ever showered
With snow, but cloudless ether o’er it spreads,
And glittering light encircles it around,
On which the happy gods aye dwell in bliss.”
Man loves to bestow his own form upon his gods, as being the noblest
that he can conceive. Those of Homer are all of the human form, but
of far larger dimensions than men; great size being an object of
admiration both in men and women in those early and martial ages. Thus,
when the goddess Athena ascends as driver the chariot of Diomedes,
Loud groaned the beechen axle with the weight,
For a great god and valiant chief it bore;
when in the battle of the gods Arés is struck to the earth by this
goddess, he is described as covering seven plethra of ground; the
helmet of the goddess herself would, we are told, cover the footmen of
a hundred towns; when Hera is about to make an oath she lays one hand
on the earth, the other on the sea; the voice of Poseidón and Arés are
as loud as the shout of nine or ten thousand men.
Public-domain text, read in full here on John Shaqi.
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