Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
The Homeric gods have all different ranks and offices; Olympus being,
in fact, regulated on the model of a Grecian city of the heroic ages.
Zeus was king of the region of the air and clouds, which had fallen to
him by lot on the dethronement of his father Kronos; the sea was the
realm of his brother Poseidón; the under-world fell to Hades in the
division of their conquests; earth and Olympus were common property.
Zeus, however, as eldest brother, exercised a supremacy, and his power
was the greatest. The other inhabitants of Olympus were Hera, sister
and spouse of Zeus; Apollo, the god of music and archery; his sister
Artemis, the goddess of the chase, and their mother Leto; Aphrodite,
goddess of love, and her mother Dione; Arés, god of war; Pallas-Athene,
goddess of prudence and skill; Themis, goddess of justice; Hermoias,
god of grain; Hebe, the attendant of the Olympian king and queen and
Isis, their messenger; Hephæstos, the celestial artist, and Pæeon,
the physician; and the Muses, the Graces and the Seasons. Poseidón
was frequently there; but Demeter, the goddess of agriculture, and
Dionysius, the god of wine, do not appear among the residents of
Olympus. The Nymphs and the River-gods occasionally visited or were
summoned to it. Eos, Helios and Selene, rose every day out of the
ocean-stream, and drove in their chariots through the air, shedding
their cheering beams abroad.
All the dwellings of the gods upon Olympus were of brass or copper,
the metal which was in the greatest abundance in Greece. Hephæstos
was architect and smith; he formed all the arms, household furniture,
chariots and other articles in use among the Celestials; but their
dress, especially that of the goddesses, appears to have been the
workmanship of Pallas-Athene or of the Graces. The gold which proceeded
from the work-shop of Hephæstos was filled with automatic power; his
statues were endowed with intelligence; his tripods could move of
themselves; he made the golden shoes, or rather soles, with which the
gods trod the air and the waters, or strode with the speed of winds,
or even of thought, from mountain to mountain upon the earth which
trembled beneath their weight. The chariots of the gods and their
appurtenances were formed of various metals. That of Hera, for example,
is thus described:
“Then Hebe quickly to the chariot put
The round wheels, eight-spoked, brazen, strong
Axle of iron. Gold their fellies were,
And undecaying, but thereon of brass
The tires, well-fitting, wondrous to behold.
Of silver was the rounded nave of each;
The body was hung by gold and silver cords,
And two curved sides encompassed it about.
The pole was silver, and upon its end
She tied the beauteous golden yoke, and bound
On it the golden braces fair; the steeds,
Swift-footed then beneath the yoke were led
By Hera, eager for the war and strife.”
Public-domain text, read in full here on John Shaqi.
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