Essay on the Creative ImaginationRibot, Th. (Théodule)
Science
Essay on the Creative Imagination
Ribot, Th. (Théodule)
Creation (Literary, artistic, etc.); Imagination
(1) In the first place the predominance of imagination is marked only by
the quantity of representations invading consciousness; they teem, break
apart, become associated, combine easily and in various ways. All the
imaginative persons who have given us their experiences either orally or
in writing agree in regard to the extreme ease of the formation of
associations, not in repeating past expedience, but in sketching little
romances.[150] From among many examples I choose one. One of my
correspondents writes that if at church, theatre, on a street, or in a
railway station, his attention is attracted to a person--man or
woman--he immediately makes up, from the appearance, carriage and
attractiveness his or her present or past, manner of life,
occupation--representing to himself the part of the city he or she must
dwell in, the apartments, furniture, etc.--a construction most often
erroneous; I have many proofs of it. Surely this disposition is normal;
it departs from the average only by an excess of imagination that is
replaced in others by an excessive tendency to observe, to analyze, or
to criticise, reason, find fault. In order to take the decisive step and
become abnormal one condition more is necessary--intensity of the
representations.
2. Next, the interchange of place, indicated above, occurs. Weak states
(images) become strong; strong states (perceptions) become weak. The
impressions from without are powerless to fulfill their regular function
of inhibition. We find the simplest example of this state in the
exceptional persistence of certain dreams. Ordinarily, our nocturnal
imaginings vanish as empty phantasmagorias at the inrush of the
perceptions and habits of daily life--they seem like faraway phantoms,
without objective value. But, in the struggle occurring, on waking,
between images and perceptions, the latter are not always victorious.
There are dreams--i.e., imaginary creations--that remain firm in face
of reality, and for some time go along parallel with it. Taine was
perhaps the first to see the importance of this fact. He reports that
his relative, Dr. Baillarger, having dreamt that one of his friends had
been appointed editor of a journal, announced the news seriously to
several persons, and doubt arose in his mind only toward the end of the
afternoon. Since then contemporary psychologists have gathered various
observations of this kind.[151] The emotional persistence of certain
dreams is known. So-and-so, one of our neighbors, plays in a dream an
odious role; we may have a feeling of repulsion or spite toward him
persisting throughout the day. But this triumph of the image, accidental
and ephemeral in normal man, is frequent and stable in the imaginers of
the second class. Many among them have asserted that this internal world
is the only reality. Gerard de Nerval "had very early the conviction
that the majority is mistaken, that the material universe in which it
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