And thus it was that the grey-headed contemporaries of his undergraduate
days wept at that vault with men young enough to have been his sons, all
feeling that the earth was poorer--not only for all the learning that
had descended almost unrecorded into the grave, not because of the works
unfinished that no one else could dare to do, but because they had lost
so much love. And not love of an ordinary kind: Henry Bradshaw loved
both well and wisely--of the words and events of intercourse with him
you never wished a single thing done or said otherwise. He was one of
those on whom had fallen the true priestly nature. It came so naturally
to him to bear others' burdens that it at last became natural for others
to lay them on him; he knew that repentant recital of failures to one
whom we revere is in itself a potent absolution--and he had the true
priest's tact: he did not want to set right, to give advice, but to hear
what his friend had to say: how it was said was nearly as important to
him as what was said; the more detailed was the difficulty or the
struggle or the misadventure, the better he was pleased. "Go on," he
would say, if the inquirer feared he wearied him, "tell me every thing
you can: it is so _interesting_." In that word lay the secret of his
influence over the young men who talked so naturally to him of all their
doings--the young men that many complain it is so hard to influence. The
fact is, they do not want merely sympathy--_that_ they can get, and more
than they want, in their home circle--where it is apt to be (they think)
unintelligent sympathy--which floods but does not fill. No! what they
want is to feel that their trials are _interesting_. It is the season of
egoism--they are supremely interested in themselves, self-conscious. Any
one who finds them interesting too will influence them.
No one is ever widely loved who has not mannerisms--those little ways
and methods that stir such smiling affection, that are so eagerly
consulted during life, and that wring the heart with pathos, and brim
the eyes to recall, when all is over. Who that knew them well will ever
forget those broad high rooms? They were on the first-floor, by the
Hall, looking into the College Court in front with all its trim
stillness, broken only by the drip of the falling fountain. The windows
that looked that way were always bright with flowers, geranium and
lobelia as I remember them. The room behind looked across a little
grassy court, on the huddled high-roofed buildings of St. Catharine's,
with their Flemish outline, on the left, and the huge glossy walnut in
the inner court; straight in front it commanded Queen's Lane from end to
end, and on the right there rose the battlemented brick towers and the
quaint oaken _flèche_ seen over apple trees and orchard walls--and the
whole view rounded off by the high garden-elms across the river.
Public-domain text, read in full here on John Shaqi.
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